Anjaylia Chan, Hillary Lau, Lillian Ho, ANSONBEAN and Evelyn Choi take the chance to get a photo with Louis Koo courtesy of on.cc
The 29th Hong Kong International Film and TV Festival (FILMART)
opened on the 17th of this month, and Media Asia Films held a reception
at Central on the evening of the 18th. Media Asia media group boss
Dr. Peter Lam Kin Ngok, Media Asia television program production (Hong
Kong) Co. Ltd. managaing director Tommy Leung Ka Shu, the Federation of
the Hong Kong Filmmakers president Louis Koo Tin Lok, Hong Kong Film
Awards Best Film Editor Wong Hoi, New Director Award Lee Kwong Yiu, Nick
Cheuk Yik Him, Lawrence Kan Kwan Chun, artists Natalie Hsu (Hui Yan
Yee), ANSONBEAN, Hillary Lau, Evelyn Choi Wing Yan, Vian Lin Ka Wing,
Anjaylia Chan Ka Bo, Lillian Ho Ka Lei, Hazel Lam Hei Tung, Maya Tsang
Yui Tung, Fiona McLeish (Mak Siu Yu), Eliza Sam Lai Heung and Toby Leung
Ching Ki were all present.
Hillary admitted that she has learned a lot from meeting many
film directors and screenwriters at the party. She said, "The scene is
too lively with too many people. Although I can't go too in depth one
by one, but I am so happy to have the opportunity to introduce myself to
everyone. Ultimately I don't have many works, and I am a new actor."
She was a big fan of romance films and hoped to play the lead role in
love stories. She said, "I am a person with a lot of emotions, but I
only show it to my close friends. I really want to challenge myself to
express it through movies. There are many kinds of love stories, and I
hope to make a heart wrenching movie so that the audience will have a
sense of understanding after watching it." The television game show
that she has been a part of, BE ON GAME would move to th stage next
month. Hillary revealed that there would be surprises. "I hope to
interact with the audience more and make everyone happy this time. We
have a lot of special performances. In short, in addition to singing
and dancing, we would even add a few elements that are rarely seen on
stage."
Trying hard to pursue his "dream of being an action actor",
ANSONBEAN revealed that he has recently made a new discovery about
himself. "Every time I complete a production project I would find
myself with a new aspect, which feels very new and unpredictable. I am
grateful for the opportunity to explore more possibilities every time.
For example, in the recently aired drama series, because it was funny
and what I was good at, I kept worrying as the shoot went on. The
result was a good response and everyone liked it. It turned out to be
funny, and made the audience happy. Even I thought it was funny when I
watched it again, suddenly unlocking the comedy route." He hoped to
focus on the "Action Movie" genre, but still make movies such as
romance, comedy or suspense. In addition to practicing martial arts,
ANSONBEAN also worked hard to study acting, especially learning to be
"natural". Having worked with him on dramas, Hillary laughed,
"Actually you are usually not natural!" ANSONBEAN admitted, "Whether I
am filming on camera or talking to friends, my speech becomes unnatural
because my brains are thinking about too much. I will try to improve
that."
Michelle Wai finds a good companion and wants Catherine Chau to have one too courtesy of on.cc
Michelle Wai, Catherine Chau, Rosa Velasco, Polly Lau and Aggie C celebrate the release of THE LAST DANCE extended version with an "army" pose
(from back left) Aggie C., Michelle Wai, Polly Lau, (front left) Rosa Velasco and Catherine Chau form a human "hexagram" courtesy of singtao.com
Catherine Chau and Michelle Wai volunteer at Food Angel courtesy of mingpao.com
Five actors of THE LAST DANCE (POR. DEI YUK) Michelle Wai Sze
Nga (Michelle), Catherine Chau Ka Yee, Rosa Velasco (Wai Law Sha), Polly
Lau Yeuk Bo, and Aggie C (Chow Chi Wai) yesterday as volunteers
distributed meals to more than 100 elderly people. The five of them
worked together to make a big and "long" star-shaped pose to
celebrate the release of the extended version of THE LAST DANCE on April
4th at the cinema.
The newly married Wai Sze Nga and Chau Ka Yee were interviewed
together. The media called Wai Sze Nga "Housewife Chau" but Chau Ka Yee
immediately rushed out to answer. "Don't call me housewife, I'm not a
housewife yet." Wai Sze Nga smiled and said, "They are calling me
Housewife Chau. If you would marry someone with the last name Chau in
the future, then you would be Housewife Chau too!" Ka Yee said
helplessly, "It still might be impossible, perhaps I won't have a chance
to get married." Wai Sze Nga once promised to introduce the "hot
properties" to Ka Yee on her wedding day, but Ka Yee said that the bride
was too busy that night. She had to help collect "favors" (wedding
gifts) herself, which was a greater responsibility than meeting guys.
However many people at the scene dragged her around to meet guys, which
made her very embarrassed. Would Wai Sze Nga introduce good guys again?
She laughed and said, "My husband told me not to be a matchmaker, so I
will see if we would have any party for another chance to meet, but I
would leave it to fate and see how her karma is." Actually Ka Yee often
does good deeds in private, how could a beautiful and kind person have
no suitor? Ka Yee joked that maybe she was too good and never gave out
any energy to attract the opposite sex. "I haven't particularly longed
to date, but I am not as resistant s before. I would keep an open
mind. No one should worry too much about me, I will keep living a
good life."
Speaking of the extended version of THE LAST DANCE (POR. DEI
YUK)'s April 4th release, neither of them has seen the latest version
but they knew that little stories behind multiple characters would be
added. The ending would still be the same, and would not become a sad
ending. Wai Sze Nga won the "Extraordinary Actor Award" at Chicago's
Asian Pop Up Cinema Film Festival for THE LAST DANCE, bringing her her
sixth individual award and her first award outside of Asia. She was
very grateful and felt that the most important was for people of
different places to be able to see this movie. Later she would go to
Chicago again to promote the film. Winning awards repeatedly, has she
receive any reward from her husband? Wai Sze Nga immediately took the
opportunity to say, "No, you can write that for me; but buying a gift is
so difficult, and giving cash has no sentimental value." Would she ask
her husband for a home? She laughed and said that he probably would
not have that much money. Referring to the completion of the second
Chinese wedding last Sunday, Wai Se Nga smiled and said that she could
finally breathe a sigh of relief. This time she cried just the same,
but not because of her husband. Mommy's words moved her instead,
because Mommy said that she was her favorite. If she was wronged, she
should come home and the door would be open for her. She gave a
surprise to her husband as well, inviting his idol Yanting Chau to
perform. She said that after completing the wedding she could focus on
promoting THE LAST DANCE extended version.
Terrance Lau praises director and actor Nick Cheung as very attentive, constantly thinking of the actors
Nick Cheung and Fala Chen play a loving couple in the film
Terrance Lau plays a psychiatrist who constantly crosses the line courtesy of mingpao.com
Best Actor Nick Cheung Ka Fai went from acting to directing. PEG
O' MY HEART (SHOOK MUNG), the fourth film that he directed and starred in,
recently won the "Best Director Award" at the Grimmfest Film
Festival in Manchester, UK. The new film would be released in Hong Kong
on March 27th. He admitted that there was no pressure, but he felt that
the style of this film was difficult to classify. Although it was
popular with foreign audiences, he also looked forward to the support of
Hong Kong local audiences. Cheung Ka Fai admitted that his heart was
full of rebellion and liked to take the alternative route. His new work
was "difficult to classify", and he would continue to have no limit to
his dream of directing. He joked "I 'Fa Gwut Lung' didn't get the name
in vain, I hope to have the opportunity to make comedy again!"
The past three films Cheung Ka Fai directed had a "dark" style.
He admitted that he was full of rebellion at heart and liked to take the
alternative route. This time PEG O' THE HEART took "redemption" as the
theme, which contained thrilling and criminal elements. It also had a
bit of "cult film" flavor. Ka Fai said that two years after the
completion of the film, it woul finally be released in Hong Kong. In
the long waiting process, he has experienced the overseas promotions,
visited major film festivals, understood the audience's reaction, and
has even seen it countless times during editing. Thus his feeling was a
little numb, not particularly nervous. However he was very happy to get
a lot of good actors to perform hard during the filming process, hoping
to give the audience a new experience through this theme.
Ka Fai bluntly said that current film productions would not be
limited to a single horror film or dramatic film. This time PEG O' MY
HEART was a bit strange, some viewers would feel the film would be
difficult to classify after watching it. "Actually I have been also
looking for answers too, I did not imitate any movies when making this
film. I saw on some channels that movies that are difficult to classify
as would be classified as 'unclassifiable movies'." He said that PEG O'
MY HEART was original and could bring freshness to the audience. "I
have the audience's appreciation overseas, but it does not mean that
it's all about me; nor does it mean that I am sure to win. Maybe
foreigners like it, but I don't know what Hong Kong audiences would
think."
Making a non commercial film this time, Ka Fai believed that
film was a creative industry. The market must have a variety of films
to give the most sincere feedback to the audience. Hence multi-genre
films such as "ET the Extra-Terrestrial", kung fu films and comedy
films appeared. However, he was more paranoid. Since he has found a
group of good actors, he wanted to take the alternative route, special
and difficult to classify direction; especially if the audience felt
that watching movies was dull now. They might as well come to watch his
film. As a director, Ka Fai has always been in a dark style that has
also become his trademark. He joked that someone has already evaluated
him as such, he considered himself rebellious and deliberately adhered
to this style. However his inner world was very unrestrained. PEG O'
MY HEART had many thrilling scenes. Ka Fai said that the initial
starting point was not to scare people, because the audience's
definition of fright may be very low. Some viewers would be afraid when
they saw the characters being a little more vicious, so he did not to
challenge scaring people to death. The film had two main tragic plots,
most of the scare spots were conceived on the spot on the set.
For his first international director award, would this be his
most satisfying work? Ka Fai said that he did not dare to assert that.
If he had the opportunity to make another film similar to hypnosis or
dreams, he believed that he could make an even better film. After all,
he still had a lot he wanted to say but not enough space to do it.
Directing and starring were not easy, so this time Lau Chun Him was the
real lead actor. Ka Fai hoped to concentrate on filming him well.
Regarding the movie release, Lau Chun Him said that he was
nervous. The psychiatrist he played in the film was also mentally
distressed. Actually in real life, Ah Him often had nightmares when he
was a child. He dreamed of people or monsters chasing him. "Maybe when
I was little I didn't know how to express yourself, or perhaps I was
only like that because I felt lonely." Playing this role, Ah Him said
that the most difficult thing was not acting, but restraining the
performance. "I couldn't resist acting during filming, I was guided by
a story and I communicated closely with the director." He felt that
Ka Fai was by no means a villain director. He remembered a scene in the
water the most. That night was very cold, the staff took a while to try
the position. He proposed to try it himself, but Ka Fai refused his
request and protected him. In addition Ah Him had a shower scene, which
was a bold performance on screen for him. "That scene was a dream, I
dreamed that I was naked after taking a shower at home. I didn't look
at it with bias, so I agreed to perform it right away." Actually if the
script required it, and he could accept it full rear nudity.
In addition to directing and acting, Ka Fai also sings the theme
song of the movie. He joked that finding someone else to sing would
cost money. "Earlier a reporter asked me how to withdraw from the role,
actually I withdrew as soon as the cameras stopped rolling. I found
that a lot of money had to be spent, and the whole person woke up. Do
you have any financial company to recommend?" When asked about his
expectations for the box office, Ka Fai said that the film has indeed
been appreciated overseas; but now for film productions in Hong Kong,
nothing seemed right in the eyes of the audience. "However if you do it
right, everyone will honestly tell you that you are right; of course you
have to work hard on getting it right. It takes the perfect combination
of creativity, screenwriting, cinematography and lighting. If you ask
me what acting is? I'm not an academic myself, but I personally think
it's like a door, being convincing on one hand and exciting on the
other. As soon as the door is opened, inside needs a lot of things to
help before the performance would be recognize. This requires
everyone's cooperation."
Ka Fai will continue his directing dream, but he is not sure
whether he will stick to the "dark" style. Because he has never limited
what he wants to shoot, he has left everything up to fate and Heaven
would make the arrangements. The audience has always been missed him in
comedies. Everyone to this day is still talking about the role of "Fa
Gwut Lung", Ka Fai joked that sometimes when he saw how much fun Tommy
Chu Pak Hong, Louis Cheung Kai Chung and Terrance Lau Chun Him were
having, he wanted to join in and go crazy. "I 'Fat Gwut Lung' didn't
get the name in vain, I hope to have the opportunity to make comedy
again!" As a senior he watched a group of young people's rise. Their
path was just like the one he walked when he was younger, full of
enthusiasm. So he wanted to work with them to bring a new atmosphere to
the film industry. As for Lau Chun Him, he also has been creating
stories. Would he want to direct and act himself like Ka Fai? He
expressed his interest in becoming a director, but if he would direct he
would not participate in the performance; because he has seen how hard
it was for Ka Fai to take care of both sides of the cameras.
Lee Sinje is happy that BLACK TIDES, the film she produces, has received an award
Yoyo Tse and Jacky Cai practice dancing for their new film roles courtesy of mingpao.com
A total of 24 cash and non-cash awards worth about HK$1,950,000
(about US$250,000) were presented to a number of promising film projects
yesterday at the Hong Kong International Film Festival Industry Project
Market award ceremony took place yesterday, in recognition of
outstanding film projects from around the world and the birth of
outstanding new filmmakers. A total of 48 projects were showcased in
this year's Project Market, including 25 projects under development
(IDP), 15 projects in production (WIP), 6 animation projects, and 2
projects from Jakarta Film Week in Indonesia, all of which were selected
from among the best submissions from around the world.
Directed by Chan Si Ieong, WAVES UNDER THE SEA won the Hong Kong
Development Project (IDP) Award, and Liu Xing's first feature film SAY
MY NAME won the Hong Kong Project in Production (WIP) Award and the White
Light Post-Production Award (WIP). Gong Yiwen's HER FIRST TASTE
(mainland) won the WIP Award and was also selected for the HAF Goes To
Cannes programme. Penu Aree and Kong Rithdee won the WIP Award for
DRIVE SOUTH PRAY WEST (Thailand); Zheng Lu Xinyuan's A STRANGER AT MY
DOOR (Hong Kong, mainland) won the HAF x CNC Award and the Aputure
Award; Li Jing's NAME AND HAIR (mainland), Iskandar Usmonov's BESIK.
HOMECOMING (Tajikistan, Kazakhstan) won the Red Sea Fund Award (WIP).
This year's Industry Film Market also marked the expansion of
the Animation Section, which showcased a series of projects that
reflected the growing influence of animated storytelling. They included
Hong Kong-based director Toe Yuen Kin Toe's A MIGHTY ADVENTURE, which
won the Sky Animation Award. The all new Indonesian Film Project also
focuses on emerging Indonesian filmmakers, providing a platform for them
to exchange ideas with international industry professionals.
The Lee Sinjie and Jin Ong produced film DEAD TIDE received
the LA FONTE AWARD, and was selected for one of the 5 films of the
"HAF GOES TO CANNES PROGRAM". Lee Sinjie was happy that the movie DEAD
TIDE was able to win the award, of which the HK$ 100,000 cash prize
could help make up for the initial funds. Now many investors are
interested in the movie, she could start filming with a budget of about
HK$ 8 million. She intended to ask Jack Tan to play the lead. Why not
ask her good partner Wu Kangren to perform? Lee Sinjie's team joked
that Wu Kangren was not suitable for the age of the role. Lee Sinjie
could not do two things at the same time either, acting while producing.
Thus the female lead candidate was still being searched. Lee Sinjie
said, "Because the actor who understands Malaysian and Hokkien dialect
is preferred, it is best to find Malaysian actor Jack Tan."
Cai Jie made a special trip to the award ceremony to support the
performance of SAY MY NAME, but she did not expect to get a good result.
She said, "Tse Wing Yan is the lead of the movie, I just play a
supporting role. As long as the role is attractive, I don't mind." Cai
Jie said that she wanted to practice her dance for the movie, and Tse
Wing Yan said that the movie was filmed half a year ago and is now doing
post-production work. Has Cai Jie reduced her salary for the
performance? She joked, "We don't need to talk about the money, the
movie shows that the director has put a lot of thought into it.
Everyone participates as much as possible under the small budget.
In addition the director is my senior, and the screenwriter is even my
teacher."
On a rare trip to Hong Kong to receive the award, Lee Sinjie
said that she would leave in two days and would go to the mainland and
Taiwan to promote another new film. However she would also seize the
time to meet her mentor Sylvia Chang for dinner. Has she made any
appointment to meet the sisters? Lee Sinjie joked, "I have had dinner
with (Gigi) Leung Wing Kei, and we have even talked all night. Seeing
all our sisters together would be more difficult. I have to work and
fly around a lot, and (Charlie) Yeung Choi Nei has been in Singapore."
Michelle Wai is honored again for THE LAST DANCE courtesy of on.cc
Michelle Wai and Michael Hui's acting has been praised
Bathing her stroke stricken father Michael Hui in THE LAST DANCE, Michelle Wai leaves all viewers with a deep impression courtesy of singtao.com
The film THE LAST DANCE (POR. DEI YUK) has a cumulative box
office of HK$ 160 million in Hong Kong and Macau, and has been nominated
for 18 Hong Kong Film Awards to set a new nomination record in the past
ten years. In addition, "the Kwok family trio of excellence" Michael
Hui Koon Man, Michelle Wai Sze Nga and Tommy Chu Pak Hong won the Hong
Kong Film Directors' Guild Annual Awards for Best Actor, Best Actress
and Best Supporting Actor. Yesterday, Michelle received even more
good new as she was awarded the Extraordinary Actor Award at the Asian
Pop Up Cinema Film Festival in Chicago.
Michelle was deeply honored to receive her sixth individual
award for THE LAST DANCE and said, "I am very honored to receive the
'Extraordinary Actor Award' from Chicago's Asian Pop Up Cinema Film
Festival, special thanks to THE LAST DANCE team for all their help.
This affirmation has made me even more confident in playing every role
well. I will make the most of every opportunity to perform and continue
to improve, thank you for your continued encouragement!" In addition,
the extended version of THE LAST DANCE will be released on April 4.
10 ATTACK ON TITAN: THE LAST ATTACK
d. Yuichiro Hayashi
Japanese Animation
Rating : IIB
Length : 145 mins.
Opening January 16 2025
[ CINEMA CITY ]
To protect themselves from the Titan threat, humanity built giant
walls and lives in peace within them. Their 100 years of peace were
destroyed by the attack of a Colossal TItan, and a boy who lost his
mother, Eren Yeager, swore to eradicate the Titans and joined the
Survey Corps. Through a series of literal battles of life and death,
Eren earned the power to become a Titan. As he contributes to
humanity's victory, he slowly gets closer to learning about the truth
of the world. The time passes, and Eren, who left the walls and
parted ways with his friends at the Survey Corps, carries out a
terrifying plan. The "Rumbling", a plan in which one leads countless
Titans to trample over the world and everything that exists upon it.
Mikasa, Armin, and everyone who was left behind are now taking on the
final battle to stop Eren from destroying the world.
[ CINEMA ONLINE MALAYSIA ]
The fate of the world hangs in the balance as Eren unleashes the
ultimate power of the Titans. With a burning determination to
eliminate all who threaten Eldia, he leads an unstoppable army of
Colossal Titans towards Marley.
9 LITTLE RED SWEET
Can : Hung Dau
Lit : Red Bean
d. Vincent Chow Wing
Simon Yam Tat, Stephy Tang Lai Yan, Jeffrey Ngai Chun Sun,
Mimi Kung Chi Yan, Kevin Chu Kam Yin,
Fung So Bo, Fong Ping, Amy Lo Wai Man
Rating : I
Length : 92 mins.
Opening November 3rd 2024 at the London East Asia Film Festival
Opening December 13 2024 (Preview)
Opening February 27 2025
[ GOLDEN HARVEST CINEMAS ]
"Cheung Hing Kee" is a Chinese dessert shop owned by a married couple
Simon and Mimi in Kowloon City in the 1980s. Their daughter Stephy has
always dreamt to fly and she became a flight attendant. Younger
brother Jeffrey is just another carefree university student. A classic
Chaozhou family. Everything changed when Mimi got a stroke and was
left unconscious, leading the family into a chaos. Unbending as
Stephy, unbearable to see Simon taking all on his back, decides to
quit her job and return to his assistance. Yet, Simon is a traditional
man, he does not appreciate her help. With the absence of Mimi, they
are clueless on how to communicate with each other. Kowloon City is
undergoing reconstruction and property developers have evicted them.
Stephy's Canada born-Chinese boyfriend Kevin proposed to her, offered
her to leave Hong Kong and live together abroad in Canada. On the
crossroads of Kowloon City, struck with the current of time, Stephy's
choice and her family's "Cheung Hing Kee",
[ 2024 LONDON EAST ASIA FILM FESTIVAL ]
Directed by Vincent Chow, Little Red Sweet will bring the festival to
a moving close with a heartfelt family drama set in 1980s Kowloon
City. The story follows Simon and Mimi, a married couple whose
daughter Stephy dreams of becoming a flight attendant. When Mimi
suffers a devastating stroke, the family's world is turned upside
down. This emotional journey is a poignant exploration of familial
bonds, sacrifice, and resilience.
Director Vincent Chow and lead actor Simon Lam will join the audience
for an intimate Q and A after the screening, offering insights into the
film's powerful performances and themes.
8 HERETIC
d. Scott Beck, Bryan Woods
Hugh Grant, Sophie Thatcher, Chloe East, Topher Grace
7 DARK NUNS
Can : Kui Mor Hak Sau Nui
Lit : Exorcizing Dark Nuns
d. Kwon Hyeok-Jae
Song Hye-Kyo, Jeon Yeo-Been, Moon Woo-Jin
Stone Tsang Siu Keung, Nikki Han, Salomon Wettstein,
Jack Leung Chun Keung, Will Hayward, Law Kai Pong, Tom Robertshaw,
Sarah Pemberton, Hyun Chang Chung
Rating : IIB
Length : 114 mins.
Opening March 13 2025
[ BROADWAY CIRCUIT ]
Are you ready to venture into the forbidden?
Sister Giunia is convinced that the evil spirit possessing Hee-joon
is one of the 12 Manifestations. With the exorcist priest unable to
come in time and Hee-joon's life clearly at risk, Sister Giunia
decides to break a sacred rule: 'An unordained nun cannot perform an
exorcism.'
However, Father Paolo, Hee-joon's attending physician, firmly believes
that only medicine can save the boy. When Sister Giunia discovers a
secret about Father Paolo's disciple, Sister Michela, she recklessly
seeks her help to smuggle Hee-joon out of the hospital. Despite
clashing with the fearless Giunia, Michela, feeling a connection to
the boy, decides to join forces.
Together, the two nuns embark on a dangerous ritual, determined to
save the boy at all costs, no matter the risks or consequences.
There's only one rule: Save him at all costs!
6 NOVOCAINE
d. Dan Berk, Robert Olsen
Jack Quaid, Amber Midthunder, Ray Nicholson
5 THE SOLITARY GOURMENT
d. Yutaka Matsushige
Yutaka Matsushige, Joe Odagiri,
Isomura Hayato, Sansei Shiomi, Takehiro Murata, Uchida Yuki,
Anne Watanabe, Yoo Jae-Myung
Rating : I
Length : 110 mins.
Opening March 14 2025
[ CINEMA CITY ]
Goro Inogashira runs his own imported goods business and travels all
over Japan for work. During his trips, he loves to try different
restaurants by himself. Now, Goro Inogashira travels abroad and tries
to find the ultimate soup.
4 THE BRUTALIST
d. Brady Corbet
Adrien Brody, Felicity Jones, Guy Pearce
[ 2024 BFL LONDON FILM FESTIVAL ]
The complex lives of young deaf people are explored in all their
intricacies in this earnest, superbly performed drama, set in
contemporary Hong Kong.
[ 2024 HONG KONG ASIAN FILM FESTIVAL ]
A soul-searching story about three friends who have different
conditions of deafness: Wolf embraces sign language with confidence
while tackling realistic obstacles in his everyday life; Alan is
Wolf's cheerful best friend who is an advocate of diverse modes of
communication between the deaf and the hearing communities; Sophie
struggles with oral language and continuously strives to be seen as
"normal". The trio embarks on their self-discovering journeys with
moments of pain and realisation. Sincere and empathetic, Adam Wong's
latest drama feature sensitively questions what social norms and
identity mean for us.
[ 2024 BUSAN INTERNATIONAL FILM FESTIVAL ASIAN COTENTS AND FILM MARKET ]
Wolf, from a Deaf family, embraces sign language with confidence,
navigating life's obstacles. Sophie, implanted with a cochlear device
in childhood, strives for normalcy through spoken language, despite
the "deaf accent." Alan, with a cochlear implant like Sophie, shares
spoken language skills but also understands sign language, advocating
for diverse communication among the Deaf. Friendship and love
intertwine their lives, causing both wounds and self-discovery on a
journey to find themselves.
2 MICKEY 17
d. Bong Joon-ho
Robert Pattinson, Naomi Ackie, Steven Yeun,
Toni Collette, Mark Ruffalo
1 NE ZHA 2
d. Jiaozi
mainland China animation
Rating : I
Length : 144 mins.
Opening February 22 2025
Trailer : https://youtu.be/oVURYfWg3RU
[ BROADWAY CIRCUIT ]
After the heavenly lightning, although Ne Zha and Ao Bing survived by
becoming Spirits, they would soon dissipate completely. Taiyi plans to
rebuild Ne Zha and Ao Bing’s mortal bodies with the Seven-colored
Precious Lotus. However, during the process of reconstruction,
numerous obstacles arise. What will become of the fate of Ne Zha and
Ao Bing?Carl Lumbly, Xosha Roquemore, Giancarlo Esposito,
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