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Louis Koo laments that applying for location shoots in Hong Kong is not easy and has plenty of restrictions |
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Sakura Ando states that she enjoys Stephen Chow's movies courtesy of on.cc |
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Louis Koo urges the Hong Kong film industry to explore new roads courtesy of singtao.com |
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Louis Koo feels that Hong Kong films must innovate, and hopes that the government would coordinate with the industry more |
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Japanese Best Actress Sakura Ando expresses that she likes Stephen Chow's movies and hopes to have a chance to work with him |
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PAVANE FOR AN INFANT's director Chong Keat Aun, actors Fish Liew and Ben Yuen attend the Hong Kong International Film Festival opening ceremony |
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The Juno Mak written and directed SONS OF THE NEON NIGHT is the only Chinese language film selection at the Cannes Film Festival courtesy of mingpao.com |
The opening ceremony of the 49th Hong Kong International Film
Festival was held at the Cultural Centre last night, with the world
premiere of Japanese director Tetsuya Nakashima's THE BRIGHTEST SUN and
Malaysian director Chong Keat Aun's PAVANE FOR AN INFANT kicking off the
12-day festival. This year's filmmaker in focus would be Louis Koo Tin
Lok. The film festival would bring 10 of his films to relive his iconic
moments on the silver screen, and he would also participate in
interviews. He would like to talk about the future of Hong Kong's
film industry the most.
The filmmaker in focus Koo Tin Lok attended the opening ceremony
of the festival, along with THE BRIGHTEST SUN's director Tetsuya
Nakashima and producer Yasunori Naruse, as well as PAVANE FOR AN INFANT
director Chong Keat Aun and its two leads Fish Liew Chi Yu and Ben Yuen
Fu Wah. The guest of this year's Focus section, famous Japanese actress
Sakura Ando made a surprise appearance, but the ambassador of this
year's film festival Angela Yuen Lai Lam was absent due to illness.
Koo Tin Lok would be this film festival's filmmaker in focus.
10 of his films would be screened and an interview would take place on
the 19th of this month. He joked that he has never tried to talk for
the whole hour in an interview, but it would be only about films. He
wanted to talk about the future of the Hong Kong film industry the most.
Regarding the development and trend of Hong Kong films, he said, "The
trend has to open up a new direction, trying different new things!
Actually it also depends on different factors. Now that the global
economy is not good, how can anyone be in the mood to go to the movies?"
Referring to the Secretary for Culture, Sports and Tourism,
Rosanna Law Shuk-pui encouraging Hong Kong filmmakers to film more in
the mainland. Goo Jai said, "There has always been. It also depends on
whether the film itself is suitable for filming in the mainland. If a
large set construction is needed then we have to. If we are making a
family film, shooting it in Hong Kong is already enough." However Goo
Jai pointed out that Hong Kong has always been small and crowded, and
finding a place to film had certain difficulties. For example TWILIGHT
OF THE WARRIORS: WALLED IN (GAU LUNG SING JAI JI WAI SING) built the
entire Kowloon Walled City set that had to be demolished at the end of
filming; while the mainland movies can retain the sets for tourist
attractions after filming, which would help promote tourism. "Actually
some movies in Hong Kong can be used as tourist attractions for tourists
to visit after they have been successfully made, like the old Yau Ma Tei
Police Station." Would there be more negotiations with the relevant
departments of the government so that the movie sets could be preserved?
Goo Jai said helplessly, "Just finding a place to apply for filming is
difficult. I have tried to rent a flyover from the government to shoot
a film, but when it is approved the shoot could not take place during
rush hour; and the remaining time was not enough to shoot, so I really
need to communicate more. I hope for a little more coordination with
us, then the film industry would be able to shoot more smoothly."
Johnnie To Kei Fung in an overseas media interview said that he
has not scalped plans to make ELECTION 3 (HAK SEH WUI 3). If the
production would begin would he participate? Goo Jai joked, "I want STAR
WARS to reach episode 18 too!" His film SONS OF THE NEON NIGHT (FUNG
LUM FOR SHAN) was selected for the Midnight Screening section of the
Cannes Film Festival. Some foreign media liked his and Sean Lau Ching
Wan's chances to compete for Best Actor. Koo Tin Lok humorously said,
"Do you really like the odds? It's still something to be happy about!"
Koo Tin Lok constantly wore sunglasses at events as of late. Goo Jai
revealed that it was due to an eye problem. "The right eye's retina
has two holes and eye floaters appeared. Wearing sunglasses would turn
the environment darker so it wouldn't be as serious." He has already
scheduled the operation and would need a week to recover. He would not
be able to take a flight for some time.
Speaking of attending G-Dragon's concert in Korea earlier, he
was caught with a mystery woman next to him and some suspected her to
be GD's sister. Goo Jai said, "GD's Pa, Ma, sister, the whole family
was there. I was just watching the concert, but I haven't watched the
concert when it was so cold."
This year's festival screened nearly 200 films from 69 countries
and regions, including 6 world premieres and 52 Asian premieres. The
festival also invited a number of renowned filmmakers, including French
director Leos Carax, Spanish director Albert Serra, Finnish director
Juho Kuosmanen, Golden Horse Best Actor Lee Kang-sheng, Japanese
director Shinobu Yaguchi and actress Yukino Kishii, to meet and exchange
views with Hong Kong audiences during the festival.
The director of the opening film PAVANE FOR AN INFANT Chong Keat
Aun, the two leads Fish Liew Chi Yu and Ben Yuen Fu Wah walked the red
carpet and were interviewed. Liew Chi Yu revealed that she played a
volunteer in the abandoned baby barn in the film, in order to find the
son she abandoned atone for her sins. The biggest challenge was that
she has been used to making commercial films in Hong Kong and had to
adjust to the pace of the film production there. This time she has to
find the slow pace of acting in dramatic films. Although she was
Malaysian, but she was not used to speaking Malaysian in this film.
"Because I rarely speak it, I have to study it with a tutor before
hand." Yuen Fu Wah had a ritual dance scene in the film and also had to
practice hard in advance.
When asked about boyfriend Siuyea Lo Chun Yip's Hong Kong Film
Awards Best Supporting Actor nomination this year, would she walk the
red carpet with him? She joked, "I am not his spouse yet. I can walk
it myself, I don't need him to, haha! Let me take all the glory
himself."
Famous Japanese actress Sakura Ando came to Hong Kong the night
before. She greeted the media in Cantonese, "How is everyone?" She
said that this would be her third trip to Hong Kong. "The last time
was 6 years ago, at the time I attended the Asian Film Awards with
SHOPLIFTERS." She would stay for three days. Although the trip would
be very short, but she hoped to take the opportunity to taste Hong Kong
food and watch more movies. She admired Wong Kar Wai, Johnnie To Kei
Fung and Stephen Chow Sing Chi's movies the most, so she has seen all
the Chow Sing Chi movies released in Japan. Her husband was a To Kei
Fung supporter, and she would also accompany her husband to watch his
movies. "Hong Kong films are very charming, and have brought me a
lot of inspirations and revelations." Would she like to have a chance to
work with the three directors? She bluntly said that she would. As for
whether she wanted to make comedy, she laughed and said that she has
never chosen roles. She would go all out if she would have the
opportunity to work together.
In addition, yesterday the Cannes Film Festival announced its
selections. The Juno Mak Chun Lung produced, directed and written SONS
OF THE NEON NIGHT (FUNG LUM FOR SHAN) was chosen for the "Midnight
Screening" segment and became the only Chinese-language film selection
this year. Mak Chun Lung said, "I would like to thank the Cannes Film
Festival jury on behalf of the team. I believe that every film has its
own destiny. I really couldn't find a more suitable time and place to
hear the prelude to SONS OF THE NEON NIGHT than this."