Jaime Cheung takes the opportunity to recommend herself to Yan Ting Chau for a movie courtesy of on.cc
When Jaime Cheung started in the business she participated in one of the commercials Yan Ting Chau (right) directed, now seeing him again she takes the opportunity to recommend herself for a new film courtesy of mingpao.com
Yan Ting Chau (YT), Gin Lee Hung Ngai and Jaime Cheung Tin Wing
attended a carbon neutrality event press conference yesterday. Today is
YT's 37th birthday, and many fans at the scene sang a birthday song for
him. He also went to every corner of the stage to shake hands with fans
and get up close.
YT's birthday is today, but he still have to direct the new film
THE NIGHT STALKER (YU YEH JI TOH). He felt that work comes first, and
the birthday does not have to be celebrated on the day of. His
girlfriend would not visit the set tomorrow either. Since he is already
37 has he considered starting a family? He was "freeze framed" to not
answer, but he felt that he has also grown. After all, as people grew
older, they would know how to reflect after accumulating experience.
Regarding the birthday wish, he said that it would not come true if he
said what it was,. Did he want the film to be a big box office hit?
He said that was the direction all the staff were heading toward
together.
Referring to the invitation of Dayo Wong Tze Wah to perform in
this new film, YT bluntly said that working with Tze Wah has been very
pleasant. Before the film production began, the two of them have
already communicated in private. Tze Wah also took the time to explore
the role, so they have worked with each other very happily. How did he
get Tze Wah to perform? YT pointed out that mainly it was the script
because it was the core of a movie. People who like to watch movies
will also focus on the script. In addition Charmaine Sheh Sze Man has
been rumored to participate in the performance. He said that he
absolutely will not disclose that, and then make a "freeze frame"
expression. Would he perform in addition to directing? He remained in
"freeze frame", only saying that the film would be completed before next
year's Lunar New Year and planned for a release next year. YT pointed
out that although it was his film directing debut, he has been a
director since 2014. He has been directed music videso for Kary Ng Yu
Fei and Cheung Tin Wing, so now he has the feeling of returning to his
original industry.
Cheung Tin Wings piano advertisement when she debuted four years
ago was also directed by YT. At the time she was a newcomer, YT
patiently taught her to face the camera and never put up a director's
front. Cheung Tin Wing also has not make a movie before, and said that
she wanted to make comedy as she likes to be funny and make people
happy. "I am funny, only no one would laugh at my jokes!" She even
recommended herself for YT's new film, but YT said that all the
characters have already been arranged. Cheung Tin Wing joked, "I will
visit the set tomorrow. I don't mind being an extra, I can play
'passerby J'."
Yoyo Mung reveals that her husband has asked her to wear another piece of clothing before going out courtesy of on.cc
Nick Cheung, Chung Suet Ying and Yoyo Mung want to collaborate on the sequel to GOOD TRIP
Stanley Yau is happy that his Bali wedding has gone smoothly
Philip Ng reveals that he has a humorous side, as he looks forward to exploring the comedy market courtesy of mingpao.com
The Nick Cheung Ka Fai, Chung Suet Ying, Yoyo Mung Ka Wai
starred film GOOD TRIP (NGOR AH DEH SEUNG LUI HUNG) has had ideal word
of mouth since its release. Its cumulative box office in Hong Kong and
Macao has exceeded HK$ 12 million, and a "sitting on thousand looking at
hundred thousand" celebration banquet was held the night before.
Director Wong Hoi revealed that Cheung Ka Fai intended to shoot a
sequel. MIRROR member Stanley Yau Sze Chun recently married his
girlfriend of 9 years Alina Lee Yan Yee at their wedding in Bali and
officially became a husband. Just returned to Hong Kong after the happy
event, Stanley appeared at the celebration dinner the night before,
his first public event since wedding.
The night before, Cheung Ka Fai, Chung Suet Ying, Yoyo, Philip
Ng Wan Lung, Stanley and two directors Norris Wong Yi Lam and Wong Hoi
attended the celebration. Making a movie again after many years and
achieved good results, Yoyo admitted that she was very happy and
revealed that her husband Ekin Cheng has not had time to watch the
movie. The couple was caught on the streets of Japan earlier, and
was said to be similar in the way they dressed and acted. She said,
"Like an old couple on the street, we aren't deliberately showing off
our love" Some online criticized her being without make up and losing
her figure, Mung Ka Wai neither minded nor avoided. She hoped next
time she would be in even better shape to see everyone. For the sequel
she could consider performing a musical with her husband. She also
revealed that her husband had opinions about what she wore. Before she
left he asked her to "put on more clothes". She joked, "I told me
adding a jacket would be a little better, I wanted to ask him what he
meant." At her earlier interview she was suspected of accidentally
"cursing", she joked that she has decided to talk less. Next to her,
Cheung Ka Fai humorously told her to curse more in order to create a
topic.
Earlier Cheung Ka Fai has said that if he had 100,000 Likes on
the Internet, he would perform a concert; but that night he suddenly
changed his mind, joked that he would not perform a concert but wanted
to open a cafe even more. He also asked how much money would open a
restaurant take, would 200,000 to 300,000 be enough? He then changed
his mind again, saying he wanted to use the money to shoot the sequel.
Yoyo jokingly asked, "US$ 200,000?" Cheung Ka Fai answered that it
would be 200,000 yen. Whether they would make the sequel, the two
directors were invited by Cheung Ka Fai to be interviewed together.
They revealed that Cheung Ka Fai was interested in shooting NGOR AH
DEH SEUNG SAT YUN (MY DAD WANTS TO KILL) and made a musical film.
When asked if he would sing and celebrate when the box office number
would reach 20 million, he stated that he often practiced at home,
hoped to sing the film's end credit song with Chung Suet Ying. He
also revealed that he has often sung the theme song of his movie PEG
O' MY HEART (SHOOK MUNG) recently. Yet he spoke too fast and made
the title sounded like "cooked noodles" (SHOOK MEIN), which cracked
up the whole scene.
Stanley appeared the night before and received congratulations.
When he took the photo, he graciously showed the wedding ring on his
hand. Speaking of the wedding, he said that the process was quite
smooth but the weather did not cooperate for a short time with rain
during the dinner. He recalled that when his wife took her father's arm
and walked into the venue, he was so moved that he wanted to cry.
The family table also deliberately kept two seats open for his late
parents, symbolizing that they witnessed his big event in life together.
He also publicly thanked his wife for arranging the wedding, "This
wedding cost seven digits, brought a lot of happy memories. Special
thanks to Alina for arranging the entire wedding. I was too busy with
my work and did not participate too much, but I knew she was under a lot
of pressure." As for when he would make up the honeymoon, Stanley said
that he would not have time until next year but would leave the location
to his wife.
Referring to the fact that five members of the MIRROR, captain
Lokman Yeung, vice captain Anson Kong Ip Sang, Ian Chan Cheuk Yin,
Alton Wong Chi Tak and Frankie Chan Shui Fai, were unable to fly to Bali
for the wedding due to work, Stanley said that he understood that
everyone would have to work. Although they could not attend in person,
they have already given gifts. He also explained that because he did
not want to take up too many social resources, he asked for the wedding
arrangement to be kept as low as possible. Regarding Jeremy Lee Chun
Kit being moved to tears at the wedding, Stanley smiled and said, "On
the surface we often quarrel, but privately our relationships are
actually very good. I didn't expect Jeremy to be so emotional.
Actually, on the day of the registration signing, many MIRROR brothers
saw the footage of our growth and cried even harder. Fatboy (Leung Yip)
even danced, I almost had to pay him a performance of fee." Former
ViuTV executive Lo Ting Fai, current executive Kam Kwong Sing and
manager Wong Wai Kwan all attended the wedding. Yau Sze Chun said that
although Mr. Lo has transferred to another company, he still was one of
the elders he valued the most.
The cumulative box office of the film has exceeded 12 million,
Stanley said that he knew that the film has received a lot of praise.
He also understood that the film market is difficult at present, and
achieving this result was already not easy. Although the box office
growth rate was slow, he still hoped that the results in the future
would get better and better. As for Cheung Ka Fai's proposal to make a
musical film for the next film, Stanley laughed and said that he could
tailor a song for Cheung Ka Fai.
Ng Wan Lung played the role of a zombie in the film. He said
that he and director Wong Yi Lam met and became friends at the Berlin
Film Festival, so he was invited to perform this role. As for the
cumulative box office of the film in Hong Kong and Macao exceeded HK$12
million, Ng Wan Lung said that he was very happy and believed that good
movies can naturally attract audience support. Participated in the
Cheung Ka Fai directed film THE TROUGH (DAI AT CHO), Ng Wan Lun praised
that he fully felt the funny power of Ka Fai while working with him.
"Earlier while making THE TROUGH I have fought with him. This time we
fight for laughs more." Ng Wan Lung said that he has always liked to
shoot comedy, and in private he also liked to tell bad jokes to cheer up
his friends. Sometimes they would be so rotten that no one would laugh.
He recalled that his friend Andy Tien (On Chi Kit) once said during his
downturn, "If you are willing to show a private humorous and funny side,
it may increase the chance of performance." Speaking of the recent
work, he revealed that several films have been filmed. His company has
also had new plans in negotiations, which will be officially announced
later.
Competing for the Golden Horse Best Actress with DOUBLE HAPPINESS, Jennifer Yu says that she is not too confident
Yeung Wai Lun and Chung Suet Ying exchange fire on the spot courtesy of on.cc
The Yeung Wai Lun (left) and Chung Suet Ying (right) starred WE ARE BORN GOOD receives 9 Golden Horse Awards nominations, which hopefully will help the box office
Jennifer Yu (right) picks "Dad" Tin Kai Man (left) to win the Golden Horse Best Supporting Actor Award
Ho Cheuk Tin wants to invite Gardner Tse to guest star in his situation series
Tommy Chu (right) goes on a movie date with his girlfriend Kiki (left) courtesy of mingpao.com
Best Actresses Jennifer Yu Heung Ying and Chung Suet Ying both
have been nominated for the Golden Horse Film Award. WE ARE BORN GOOD
(SIN NAM SHUN NUI), the film starring Chung Suet Ying held its premiere
the night before. Yu Heung Ying also "made her presence felt" and joked
that she was not here to spy on the enemy but purely appreciate the
film. Chung Suet Ying pointed to the film was also nominated for Best
Narrative Feature at the same time. She has been looking forward to
attending the award ceremony with the team the most, and hoped that the
9 nominations would be able to drive the box office.
The film WE ARE BORN GOOD received 9 nominations at the "63rd
Golden Horse Award", on the previous night actors Chung Suet Ying and
Alan Yeung Wai Lun attended the charity premiere. The two each with
this film would compete for the Golden Horse Awards Best Actor and Best
Actress the next month in Taipei on the 22nd. Hong Kong Film Awards
Best Actress Yu Heung Ying also came to "make her presence felt". Also
nominated with the film DOUBLE HAPPINESS for the Golden Horse Awards
Best Actress this year, she was asked whether she came to observe the
performance of the enemy Chung Suet Ying. She said that she purely came
to enjoy the film, "Because Alan (Yeung Wai Lun) and Chung Suet Ying
have been nominated, I have been looking forward to it. As soon as I
found out about the premiere I immediately said I would come! (Would
you like to work with them?) Of course!" She said that she was very
surprised to be nominated, admitted that she did not have much
confidence in winning the award but had confidence in her Papa in the
film, Tin Kai Man. "He has already won the Taipei Film Festival, so I
think he can win this time! (Have you picked out what you would wear?)
I have to get into shape first, the most important is to be pretty." In
addition, Yu Heung Ying's domestic help suddenly quit. She was left a
little shorthanded with taking care of her family. Fortunately the
film that was originally scheduled has been postponed, so she could
personally raise her child and take care of the household chores. "The
maid said that she had an emergency and returned home. Actually she
owed 5 figures in debt, even debt collectors have come to collect. I
immediately handled the matter and did not suffer any loss.
Experiencing something like this for he first time, I feel fooled and
heartbroken."
As for the first time Golden Horse Award Best Support Actor
nominees Tin Kai Man, he admitted that everyone's optimism about him
winning at his first try has made him feel stressed. "My daughter in
the film Yu Heung Ying is very filial, she would support me at any time.
If I don't have an award in the end it would be very embarrassing. The
most ideal would double happiness to match the film title."
The WE'RE NOTHING AT ALL (NGOR MOON BUT SI SUP MOR) Golden Horse
Best Supporting Actor nominee Anson Kong Ip Sang saw him as strong
competition. Tin Kai Man joked, "He is very strong too, obviously
dropping a class to crush an old man like me. He is blatantly the male
lead but jumped over to compete. However everyone is happy, no one
knows how it will turn out yet."
The Ho Cheuk Tin directed HOY TV situation series KEEP CALM AND
CALL PO ON had a peak rating of 4.9 points for its premiere. He did not
dare to say he was pleased, as he hoped to continue to chase good
results. "Only the premiere had 4.9 points is useless. I have to keep
performing well. Hopefully the rating would climb again and be able to
be maintained." Two nights ago he ran into Gardner Tse Kwan Ho and
hoped to talk to him about guest starring. "I would like to work with
many people, hoping to add more episodes so I could look for different
actors to perform." Was he confident that KEEP would be able to defeat
other stations Ho Cheuk Tin said that he has never thought about that,
the most important would be having more viewers and more advertisers;
then he would have even more funding to make even more episodes. The
fat wallet was the most important. KEEP posted 4 episodes online at
once. He thought that the television station arranged for that
strategy. He has paid attention to the online reaction and would be
willing to accept both positive and negative comments. It was a great
learning opportunity. "It's my first time making a situation series.
The budget is tight and the show is experimental in nature. Maybe the
audience would feel the lighting and the color would be a little short.
I would learn from the experience and look for even richer resource to
do better and fix up the details a little more."
Chu Pak Hong two nights ago showed his support with his outside
the business girlfriend Kiki on a date, and revealed that the new
relationship has been in development for over a year and become steady.
"The last time we posted a photo together for the one year anniversary
of us dating, I never thought that it would catch attention and end up
in entertainment news." He joked that under the nourishment of love,
his luck grew as he on the Hong Kong Film Awards Best Supporting Actor.
He praised his girlfriend for being lucky for him. When would they get
married? Chu Pak Hong said that he would first work hard on maintaining
the relationship, as they had a lot to integrate. He believed that as
long as the relationship would be well maintained, it naturally would
bear fruits. Chu Pak Hong revealed that his girlfriend was half an
industry insider, due to work they have known each other for awhile.
He discovered hat she was not only pretty, but also direct, filial and
loving. "I found someone who knows about my past and is willing to
accept my present. Her life is very simple, she wouldn't have any
prejudice due to my appearance or past. She opened her heart to
understand me, which is very valuable in this time and age." He did
not dare to ask his girlfriend what she liked about him, as he was
afraid that he would have pressure. He knew that he had a lot to learn
from his girlfriend. "At work I get easily frustrated. She would
listen very patiently so I can see what kind of shape I am in through
her."
In addition, when asked whether Chung Suet Ying had the
confidence to win Best Actress again, she said, "My personal request is
very simple; because the film has been nominated for Best Narrative
Feature, I am looking forward to going together as a team the most."
Speaking of whether the film's multiple nominations would give her
confidence at the box office, she said, "I hope they can be converted to
the box office and attract more audiences." Her other film GOOD TRIP
(NGOR AH DEH SEUNG LUI HUNG) is in release now, but she disagreed with
the idea of "fighting herself". She said that it has become a "win
win" opportunity, as she hoped that viewers would support both films.
Yeung Wai Lun said that with many good films in release at the
same time, they could create a movie going atmosphere for the people.
They joked that if WE ARE BORN GOOD's box office would be ideal, they
would push co-star Lo Chun Yip (Siuyea) to give "benefits". Yeung Wai
Lun said, "Due to the length of the film, the director cut many of
Siuyea's confidential scenes, which are waiting for the opportunity to
see the light of day." He revealed that in the film he had action
scenes with Chung Suet Ying. With a sharp weapon in his hand, he was
very worried that he would hurt Chung Suet Ying by accident. He praised
her for taking a lot of risks, indicating that she was not worried about
getting hurt. Tommy Chu Pak Hong earlier wished for Yeung Wai Lun to
win the Golden Horse Best Actor, in exchange for Yeung Wai Lun to take
him to dinner for half a year. He said, "Whether I win or not I would,
brothers are for a lifetime. The most important for getting together
for meals is being happy." He also joked that his figure was poor, so
he had to put some thought into what he would wear to the award show.
In addition, the Golden Horse Executive Committee announced
yesterday this year's jury lineup. Sylvia Chang Ai-chia will be the
president of the jury. She has personally been nominated for the Golden
Horse Award up to 21 times, covering the director, the original
screenplay, the adapted screenplay, actress, supporting actress and
other categories, and even won the Golden Horse Best Actress 3 times.
Becoming the jury president again after 15 years, Chang Ai-chia was
happy to say that everyone's enthusiasm has not faded and she was
looking forward to getting together again.
10 PUELLA MAGI MADOKA MAGICA THE MOVIE -WALPURGISNACHT RISING-
d. Akiyuki Shinbo, Yukihiro Miyamoto
Japanese Animation
Rating : IIA
Length : 120 mins.
Opening August 2026 in Japan
Opening October 8 2026
9 THE MAGE
Can : SUP FONG FAT SI
Lit : SCAVENGER PRIEST
d. Danny Pang Fat, Oxide Pang Chun
Josie Ho Chiu Yi, Iman Taheri, Carlos Chan Ka Lok
German Cheung Man Kit, Kathy Yuen (Tong Yee), Sabrina Ng Bing,
Rating : IIB
Length : 97 mins.
Opening July 3 2026 at the 30th Bucheon Fantastic Film Festival
Opening September 14 2026 at the Bangkok International Film Festival
Opening October 8 2026
Trailer : https://youtu.be/x0dCziepGSg
Site : https://www.bifan.kr/eng/program/program_view.asp?pk_seq=8219&sc_category_seq=9002&sc_num=1&actEvent=view
[ THE 30TH BUCHEON FANTASTIC FILM FESTIVAL ]
In the early 1990s, this city of desire, once "paved with gold," had
fallen into a state of broken order and rampant crime. Man Zi-Keung, a
worker, is determined to rewrite his fate. After meeting flight
attendant Lok Ka-Yuen, the two join forces to commit a heist, seizing
a huge sum of money. This success drives Man Zi-Keung to ever greater
extremes, pushing him and wealthy businessman Chan Fai-Yin deeper into
a vortex of escalating confrontation. Meanwhile, mainland police
officer Qi Honggang and Hong Kong police officer Kwan So-San persist
in investigating Man Zi-Keung. With the two police forces joining
hands, the clash between good and evil is on the verge of eruption.
In Hong Kong's East Forest Park, scavenger Lan Pui Ching discovers a
hanging corpse that triggers memories of a tragic mistake thirteen
years earlier. Once a spirit medium, she manipulated a young girl
into suicide for money, leaving her haunted by guilt and visions of
restless souls.
Now seeking redemption, Lan collects strange objects believed to
carry the spirits of those who died unnatural deaths. When police
officer Huang Ming investigates a series of suspicious "accidents,"
he repeatedly encounters her at the scenes. Through her connection
with the dead, Lan reveals that these deaths are actually murders
carefully disguised as mishaps.
Together they must confront a terrifying supernatural truth before
they become the killer's next victims.
[ THE HOLLYWOOD REPORTER FILMART 2025 ]
In his first acting role in The Mage, Taheri plays the logically-
minded chief of police who is at loggerheads with the titular mystic,
played by Ho, while investigating a series of mysterious crimes.
8 BANG DREAM! AVE MUJICA PRIMA AURORA
d. Kodai Kakimoto
Japanese Animation
Length : 82 mins.
Opening October 16 2026 in Japan
Opening October 22 2026
Opening October 8 2026
7 RESIDENT EVIL
d. Zach Cregger
Austin Abrams, Zach Cherry, Kali Reis, Paul Walter Hauser
6 BIRD OF PARADISE
Can : Ma Yeung Nin Wa
d. Joey Wu Chui Yi
Catherine Chau Ka Yee, Elaine Jin (Kam Yin Ling),
Peter Chan Charm Man, Yeung Nga Man, Jayden Cheung Dik Man
Rating : IIA
Length : 95 mins.
Opening May 10 2026 (Preview)
Opening June 13 2026 at the 28th Shanghai International Film Festival
Opening July 19 2026 at the 25th New York Asian Film Festival
Opening at the 9th Malaysia International Film Festival
Opening August 21 2026 (Preview)
Opening October 23 2026
Trailer : https://youtu.be/tUU9ZifYLC8
Trailer : https://youtu.be/l5zAT2MSREk
Site : https://www.nyaff.org/nyaff26/films/bird-of-paradise
[ 25TH NEW YORK ASIAN FILM FESTIVAL ]
Mrs. Yeung has spent years holding a Hong Kong household together,
managing a checked-out husband, a demanding teenage son, and the
thousand thankless tasks that keep a family running. Then she
secretly signs up for pole dancing, and something dangerous happens:
she starts having fun. What looks like a midlife lark turns
shockingly physical, closer to martial arts than play, demanding
strength and nerve she didn't know she had. As the lessons reawaken
a self she had quietly shelved, the accommodating wife-and-mother act
becomes harder to keep up. Joey Wu's first feature turns domestic
frustration into bright, nimble comedy, handing Catherine Chau a
gloriously physical role as a woman who decides that disappearing
politely is no longer on the schedule. Veteran Elaine Jin lends
major support.
[ 28TH SHANGHAI INTERNATIONAL FILM FESTIVAL ]
Yuen is a stereotypical housewife, her days dulled by endless
domestic routines. By chance, she stumbles into the dazzling world
of pole dancing, where she embarks on a secret journey - one she
keeps hidden from her conservative husband, Lam, and her son, Heng.
As colour slowly returns to her life, she forms an unexpected
friendship with her much young classmate. Meanwhile, Fung-mei, the
70-year-old grandmother with a heart of a young lady, falls prey to a
scam while searching for love on dating app. Forced to move into
Yuen's home, her arrival stirs up even more chaos to the already
strained family.
[ 7TH FIRST FEATURE FILM INITIATIVE HIGHER EDUCATION INSTITUTION GROUP ]
Eagerly wanting to have a last bloom of her youth, Mama Yeung
conceals her stubborn husband and rebellious son, and steps into the
new splendid world of pole dance. Yet, this secret has been
accidentally revealed, putting her into a dilemma between fulfilling
her family's needs and pursuing her dream...
5 SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM
d. Steve Cox, Matthew Walker
British Animation
English Voices: Justin Fletcher, John Sparkes, Nina Sosanya
4 WHALEFALL
d. Brian Duffield
Austin Abrams, Josh Brolin, Elisabeth Shue, John Ortiz
3 STREET FIGHTER
d. Kitao Sakurai
Noah Centineo, Andrew Koji, Callina Liang,
Joe "Roman Reigns" Anoa'i, David Dastmalchian, Cody Rhodes,
Eric Andre, Andrew Schulz, Vidyut Jammwal, Orville Peck,
Don Lee, Curtis "50 Cent" Jackson, Jason Momoa, Olivier Richters,
Hirooki Goto, Mel Jrnson, Rayna Vallandingham, Alexander Volkanoski
2 CLAYFACE
d. James Watkins
Tom Rhys Harries, Naomi Ackie, David Dencik,
Max Minghella, Eddie Marsan, Nancy Carroll, Joshua James
1 GOOD TRIP
Can : Ngor Ah Deh Seung Lui Hung
Lit : My Dad Wants To Travel
d. Norris Wong Yee Lam, Wong Hoi
Nick Cheung Ka Fai, Chung Suet Ying,
Philip Keung Ho Man, Yoyo Mung Ka Wai,
Stanley Yau Si Chun, THAIMAY, Philip Ng Wan Lung
Rating : IIA
Length : 108 mins.
Opening September 17 2026
Opening September 25 2026 (SPECIAL SCREENING)
Opening September 30 2026 at the Pingyao International Film Festival
Opening October 15 2026
Trailer : https://youtu.be/m5vB-wu6RSY
[ HONG KONG ASIAN FILM FINANCING FORUM WORK-IN-PROGRESS PROJECT ]
Shan, an art assistant, juggles responsibilities on the film set and
at the hospital, where she cares for her father, Kueng, who has
cancer. During her time at the hospital, Shan is tasked by the crew
to collect a big bowl from the prop-studio. At her father's request,
they discreetly leave the hospital together, embarking on an
unexpected journey from the studio to Macau, and subsequently to
Okinawa, allowing Kueng to address his unfulfilled wishes. Following
his peaceful passing, Shan inherits not only memories but also a
lasting sense of courage, optimism, and imaginative spirit that
sustains her throughout life.
[ SCREENDAILY 2026 FILMART DAILIES ]
Starring Nick Cheung and Chung Suet Ying, this Hong Kong comedy drama
follows a film assistant who sneaks her dying father out of hospital
to fulfil his last wish for an impromptu trip to Japan. Mabel Cheung
serves as producer for Wong, winner of best new director at the Hong
Kong Film Awards for her 2019 debut My Prince Edward, and Wong Hoi,
who produced Wong's second feature The Lyricist Wannabe. Backed by
Hong Kong Film Development Council's Directors' Succession Scheme,
Good Trip is presented at the HKIFF Industry Project Market at
Filmart.
Charlene Choi denies that she is dressed to dispel pregnancy rumors courtesy of mingpao.com
Charlene Choi Cheuk Yin (Ah Sa) yesterday attended the "SASA
LADIES' PURSE DAY 2026" press conference, responded to the "pregnancy"
mystery, and revealed the preparation of Twins' December concert and
"ticket debt" troubles.
The press conference of "SASA LADIES PURSE DAY 2026" was held
yesterday. The image ambassador Ah Sa introduced that the event will be
held on November 8 at Shatin Racecourse. The guest performer would be
her good friend Kenny Kwan Chi Bun. Ah Sa joked, "I'm looking forward
to seeing how he would look in pink and a hat!"
Ah Sa recently became involved in a pregnancy mystery. When
asked whether she was dressed to dispel rumors, she smiled and said that
she did not deliberately do so. "It's very normal, the waist is
exposed or it's not exposed!"
Although Twins will be performing concerts in mid-December, Ah
Sa said that she has not yet returned to the fittest figure because she
has been making the film TASTE OF JOY (SIK JU SEUNG). In the film she
played a food critic and had to eat nonstop; originally they would work
for 15 hours a day. On a rare day of finishing early, Raymond Lam Fung
immediately asked her to go for Omakase. She originally wanted to spend
time with her husband, but then took her husband to dinner with her
anyway. Lam Fung smiled and envied her for "not getting fat no matter
how much she eats", Ah Sa chuckled and said that she has been "able to
cover it" and pointed out even he "respectfully" said that she and his
wife have been able to eat the most among people he knew.
In order to prepare for the concerts, Ah Sa has begun to
practice. She stated that she was not aiming to be very thin, but still
hoped that she could train her arms to have curves. The reporter smiled
and asked whether he fitness coach husband was responsible for designing
the exercise plan, she said, "I have asked him and also begun to
exercise, only my mouth has not been too obedient. I cannot keep from
eating. I have been working hard to store fat, which I am waiting for
my husband to help eliminate; but he doesn't like me being too thin!"
She said that she would not find another coach. Twins would perform
concerts in December, and next month she will also work with Gillian
Chung Yun Tung (Ah Gil). Ah Gil has seemed to be able to get fat and
thin easier than her, she said, "She can, I always say being healthy is
the most important. Thin or fat, medium sized bodies are all beautiful
in their own ways!"
Ah Sa has also recently been worried about "ticket debt". In
addition to her own concerts, many friends also asked her to order Joey
Yung Cho Yi's concert tickets. "It is really a wave after another. I
am not even done with my own yet and I am being chased for Ah Jo (Yung
Cho Yi)'s tickets. I have already refused to order tickets of other
companies, now I still need several hundred tickets. I have said that
I would only write it down but dare not to make any promise. I really
have to ask the boss, as I have difficulties with even just 10 tickets.
I don't dare to bother Ah Jo herself."
Regarding the recent rumors that for THIS CITY NEVER SLEEPS
Kelly Cheung Hei Man and Jeannie Chen Ying had scenes added last minute
on the set with wider standards in undressing scenes. Ah Sa admitted
that she has never encountered such requests in her career, only while
making the film DETECTIVE VS. SLEUTHS (SUN TAM DAI JIN) she had diving
and gunfight scenes added. "I am afraid of heights, but it's right for
the script so I dove. Then for a year and a half I had a rash on half
of my body from the stress. After that when I saw the director again, I
felt like I have survived but it was still an experience and
achievement." As for the actress being asked to undress for a scene
last minute, she thought that it would have to be appropriate to the
plot. For her though it would have to pass the obstacles after
obstacles. First of all it would have to pass her manager and
assistant, so no such thing has ever happened.
Carlos Chan, Kathy Yuen, German Cheung and Sabrina Ng talk about working on THE MAGE courtesy of mingpao.com
Carlos Chan Ka Lok, Kathy Yuen (Tong Yee), German Cheung Man
Kit, and Sabrina Ng Bing each faced challenges starring in the film THE
MAGE (SUP FONG FAT SI). Asides dealing with profanity, Chan Ka Lok was
the most worried about bringing bacteria home and affecting the
daughter, who was still in his wife's womb. He also testified that Tong
Yee, who played his girlfriend, had a sour face and was definitely
playing herself. Cheung Man Kit said that dangerous stunts were not as
hard to endure as the dirty environment; playing a female ghost, Ng
Bing said the hardest part was holding back laughter.
Chan Ka Lok often used profanity in the film, and he joked that
might be the most he has used in his acting career. "Director (Danny)
Pang Fat asked for some, and the dialogue itself had some too. The
director also likes to use profanity to express himself. That's the
atmosphere of the production. Many of my performances come from the
director. Besides swearing, I often wipe sweat with a handkerchief and
copy the director's gestures exactly. He asked me to try imitating him
a little, trying to convey that my character has a feeling of being
uneasy -- sweating whether it was hot or cold."
The filming environment was harsh. At that time Chan Ka Lok's
daughter was about to be born. He said that indeed he was a bit
nervous, worried that bringing home bacteria that might affect his
pregnant wife Shiga Lin and their unborn daughter. "Filming in remote
mountains and wilderness, the ruins, dumps, and sewage drains were all
very filthy. I often thought I was done for! After work would I bring
some dirty stuff home and affect the soon-to-be-born daughter. When I
got home, I was terrified and hoped everything was okay. Even I was
disgusted with myself. As soon as I walked through the door, I rushed
to shower. Only after showering would I dare to interact with my wife."
Chan Ka Lok's character was impulsive, relying solely on
intuition and believing in supernatural phenomena without any evidence.
He had many conflicts with Tong Yee, who played his forensic doctor
girlfriend; the Tong Yee played character was determined to have an
abortion for her boyfriend. Already a mother during the shoot, she
expressed conflicted feelings. "I must have empathized with this pain
of being a mother when I performed." The two have played couples
before. Tong Yee joked that what was different this time was that she
could face Chan Ka Lok with a sharp tongue, but he often teased her for
being her true self. She explained that she was just cooler from not
smiling. "Playing a couple before was sweeter; this time was okay too,
very smooth. The character however really fit my personality more, with
both mean and not mean sides being pretty much the same." Chan Ka Lok
laughed and said, "She usually has a sullen face. I've known her for
nearly 20 years, and I only saw her smile when she was about 30. I once
tried telling jokes to tease her but she completely ignored me, which
made me wonder if I had offended her."
In the film Chan Ka Lok had many fight scenes with the highly
skilled Cheung Man Kit. Did he injure him? Chan Ka Lok said, "Actually
I'm really strong! My skills aren't too bad either." He said many
action scenes were very dangerous. While filming the sewer, continuous
heavy rain made the water waist-deep and made stand steadily hard like
in a rushing current. The bottom had rocks and glass. Fortunately he
was very close with Cheung Man Kit, and everyone trusted each other.
Any issues were discussed immediately, and the shoot was always fine.
Cheung Man Kit said that te most dangerous action scene was having Josie
Ho Chiu Yi riding on his shoulder. Did he hurt his neck? He said,
"Luckily No! It's OK, I can handle it; but the filming environment was
a bit dirty. After each shoot I had to shower three times." Ng Bing
tried playing a female ghost for the first time, saying that wearing
white makeup helped her get into character. Usually cheerful, she
admitted she almost could not hold back her laughter during filming.
"The hardest part of filming was holding back laughter. I'm not sure if
I ever laughed out loud! However everyone was so professional, I don't
think I did."
Bobby Auyeung (left) arrives to support Catherine Chau (right), as they hope to collaborate again
Jayden Cheung (left) and Yeung Nga Man (right) are happy to work with different elders in the film courtesy of mingpao.com
Actors Catherine Chau Ka Yee, Yeung Nga Man (THAIMAY) and Jadyen
Cheung Dik Man attended the VIP celebrity screening of the movie BIRD
OF PARADISE (MA YEUNG NIN WAH) the night before. Ka Yee received the
support from a group of friends Bobby Auyeung Chun Wah, Carlos Chan Ka
Lok, Raymond Wong Ho Yin, Mani Fok Man Hei, Kathy Yuen (Tong Yee) and
Maverick Mak Chau Sing. That night Chau Ka Yee and Auyeung Chun Wah
talked about each other about their past collaboration, but both had
"amnesia" and needed to remind each other over the air. The scene was
funny. Chau Ka Yee said that she is now the same company as Auyeung
Chun Wah, and looks forward to working together again.
Chau Ka Yee said that he personally invited everyone to enjoy
the film, especially Auyeung Chun Wah because he watched her grow up.
Speaking of this, Auyeung Chun Wah, who was interviewed on the other
side, asked Ka Yee loudly whether she had performed in "YIU MO CHEUNG
SHA" before? Ka Yee responded from a distance, "It is the "FOR MO WONG
SHA (THE DANCE OF PASSION), you only got the word 'SHA' right!" Ka Yee
also mentioned that she has previously collaborated with Auyeung Chun
Wah in a series, but this time it was her turn not to remember the
title; so she asked for help over the air. This time Auyeung Chun Wah
remembered and immediately replied, "MEN WITH NO SHADOWS (BUT CHOOK JI
YUEK)!" Ka Yee admitted that because they have not collaborated with
each other for a long time, but now everyone belongs to the Emperor
Entertainment; so they very much hoped that the boss will start work on
a movie so that the two have the opportunity to collaborate.
As for Yeung Nga Man, she played a classmate who studied pole
dancing with Chau Ka Yee in BIRD OF PARADISE. She said that in order to
practice pole dancing, she had bumps, bruises and blisters from the
grind. Her flesh suffered, but after seeing the final production result
she felt that everything was worth it.
Ka Yee revealed that she has never really watched the pole dance
performance before the shoot. Initially she was even biased, thinking
that most of the people who danced the pole dance performed at night
spots and were too sexy. However, when she learned first-hand, she
found that the dancers were very focused on their performance and
encouraged each other. Earlier, preview screenings also had pole
dancers in the audience. They were grateful to the director for
shooting this film and making the public change their impression of the
pole dance performance. They praised her and Yeung Nga Man for dancing
well.
25-year-old Cheung Dik Man played Ka Yee's son in the film, and
was also learning pole dancing. He said that at first he was a little
nervous in front of the group of elders, but after coming in contact
with Ka Yee, he felt that she was bold with also a little "guy like"
personality. He even wondered if at her age could she could really have
given birth to himself. Ka Yee heard and joked, "Thank you, I will give
you lai see later!" Then she calculated and smiled, "It’s all OK, I
could have given birth!"
Showing his support, Auyeung Chun Wah said that he has seen Chau
Ka Yee play the girl with cleft lips in THE DANCE OF PASSION and was
deeply impressed. Later the two collaborated on MEN WITH NO SHADOWS,
and in the show Ka Yee had a crush on his role of an uncle. To this
day, he still feels that Ka Yee is a lively girl who is forever young.
Auyeung Chun Wah has not made a Hong Kong drama for a long time,
he admitted that he still wants to let himself settle. The last TVB
series he made was already SHADOW OF JUSTICE. He said that his former
home has not beckoned to him yet, but his door would always be opened.
He revealed that he signed with the new company after the pandemic, and
is currently focusing on mainland development. He participated in many
variety shows, and recently worked on the series LIE HUNTER. He said
that at present he is more enjoying a "family life". "I am already
different from my 40s. I used to work a lot, I would like to go out
with my wife to eat on my time off. During the pandemic I was used to
eating at home, found that it was pretty good. In addition it was less
greasy and healthier, I was already thin. People outside thought I had
something wrong with me. Actually my appetite was still as big as ever,
only my eating habits have changed. No one needs to worry." He also
revealed that he often meets with friends in the circle, and will also
go out to celebrate his birthday; as for the regular dinners, mostly
they meet and chat at each person's house and have a few drinks.
Friends his age have all gone "off duty" and hidden at home.
Auyeung Chun Wah also watched TVB dramas, and in the past he had
made a guest appearance of COME HOME LOVE: LO AND BEHOLD. When asked as
the audience what he thought of new version LIKE MOTHER, LIKE DAUGHTER,
he said, "That's very difficult to say. For over a thousand episode
everyone has been used to see this group of people, at the middle of the
meal they have become accustomed to seeing them. They have already
become engrained, at meal time they should see this group of people like
one of the 'dishes'. Suddenly that has changed, it's not that it's not
delicious. The kitchen has changed, and it takes awhile to get used to
it and digest." He believed that the adjustment space of the situation
drama was already very large and could be constantly modified according
to the audience's reaction, so there would be room for progress slowly.
For the rumor that Jinny Ng Yuek Hei being "exiled" and kicked
out of COME HOME LOVE: LIKE MOTHER, LIKE DAUGHTER, Auyeung Chun Wah
said, "I don't know what happened, nor do I know how the audience feels
about her. I can only say what I think. Honestly, Ng Yuek Hei is a
pretty hard-working girl in my mind, and earlier her performance in FROM
HONG KONG TO BEIJING was pretty good." He said that he has read some
of the comments, saying that Ng Yuek Hei deliberately imitated Mandy Lam
Suk Man and thought that was unfair to her. "The role needs to be
played like this, just because you think they are similar it is not her
fault. It has to be slowly corrected. Everyone please take it more
time and be a little more lenient."
10 SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM
d. Steve Cox, Matthew Walker
British Animation
English Voices: Justin Fletcher, John Sparkes, Nina Sosanya
9 OTHER MOMMY
d. Rob Savage
Jessica Chastain, Jay Duplass, Arabella Olivia Clark
Dichen Lachman, Arian Moayed, Karen Allen
8 PRIMETIME
d. Lance Oppenheim
Robert Pattinson, Merritt Wever, Skyler Gisondo, Phoebe Bridgers
7 MASTERMIND
Can : Jing Jin
Lit : Detective War
d. James Hung Ling Ching
Louis Koo Tin Lok, Ci Sha, Simon Yam Tat Wa, Gardner Tse Kwan Ho,
Amy Lo Wai Man, Ben Yuen Fu Wa, Alan Yeung Wai Lun,
Eddie Cheung Siu Fai, , Jeffrey Ngai Chun Sun
Rating : IIB
Length : 90 mins.
Opening October 1 2026 in the mainland
Opening October 8 2026
Trailer : https://youtu.be/k0pvuxEOYTA
[ HONG KONG MOVIE 6 ]
A suspect, unsuccessfully pursued by an unknown killer, mysteriously
vanished from the detention cell in H City. Baffling by the case,
Agent MO received a bewildering message from his friend YANG, the
fugitive was found dead in a locked records vault of the Investigation
Bureau headquarter, just 10 kilometers away. How did he escape from
the detention cell and slip into the headquarters' records vault,
moving from one 'sealed room' to another?
The murder bullet was later confirmed to be MO's so-called lucky
bullet, rattling the City Government Intelligence Bureau. The
suspect's death was bizarre, and Intelligence Bureau Commissioner BI
was drawn into the vortex of the unsolved case. MO himself became the
prime suspect, now hunted by both the underworld and the authorities.
A mind-bending, tangled plot ensues. MO, YANG, and BI are manipulated
by fate, forced to confront the a sensational and fiendishly difficult
case!
6 PUELLA MAGI MADOKA MAGICA THE MOVIE -WALPURGISNACHT RISING-
d. Akiyuki Shinbo, Yukihiro Miyamoto
Japanese Animation
Rating : IIA
Length : 120 mins.
Opening August 2026 in Japan
Opening October 8 2026
5 THE MAGE
Can : SUP FONG FAT SI
Lit : SCAVENGER PRIEST
d. Danny Pang Fat, Oxide Pang Chun
Josie Ho Chiu Yi, Iman Taheri, Carlos Chan Ka Lok
German Cheung Man Kit, Kathy Yuen (Tong Yee), Sabrina Ng Bing,
Rating : IIB
Length : 97 mins.
Opening July 3 2026 at the 30th Bucheon Fantastic Film Festival
Opening September 14 2026 at the Bangkok International Film Festival
Opening October 8 2026
Trailer : https://youtu.be/x0dCziepGSg
Site : https://www.bifan.kr/eng/program/program_view.asp?pk_seq=8219&sc_category_seq=9002&sc_num=1&actEvent=view
[ THE 30TH BUCHEON FANTASTIC FILM FESTIVAL ]
In the early 1990s, this city of desire, once "paved with gold," had
fallen into a state of broken order and rampant crime. Man Zi-Keung, a
worker, is determined to rewrite his fate. After meeting flight
attendant Lok Ka-Yuen, the two join forces to commit a heist, seizing
a huge sum of money. This success drives Man Zi-Keung to ever greater
extremes, pushing him and wealthy businessman Chan Fai-Yin deeper into
a vortex of escalating confrontation. Meanwhile, mainland police
officer Qi Honggang and Hong Kong police officer Kwan So-San persist
in investigating Man Zi-Keung. With the two police forces joining
hands, the clash between good and evil is on the verge of eruption.
In Hong Kong's East Forest Park, scavenger Lan Pui Ching discovers a
hanging corpse that triggers memories of a tragic mistake thirteen
years earlier. Once a spirit medium, she manipulated a young girl
into suicide for money, leaving her haunted by guilt and visions of
restless souls.
Now seeking redemption, Lan collects strange objects believed to
carry the spirits of those who died unnatural deaths. When police
officer Huang Ming investigates a series of suspicious "accidents,"
he repeatedly encounters her at the scenes. Through her connection
with the dead, Lan reveals that these deaths are actually murders
carefully disguised as mishaps.
Together they must confront a terrifying supernatural truth before
they become the killer's next victims.
[ THE HOLLYWOOD REPORTER FILMART 2025 ]
In his first acting role in The Mage, Taheri plays the logically-
minded chief of police who is at loggerheads with the titular mystic,
played by Ho, while investigating a series of mysterious crimes.
4 RESIDENT EVIL
d. Zach Cregger
Austin Abrams, Zach Cherry, Kali Reis, Paul Walter Hauser
3 WHALEFALL
d. Brian Duffield
Austin Abrams, Josh Brolin, Elisabeth Shue, John Ortiz
2 STREET FIGHTER
d. Kitao Sakurai
Noah Centineo, Andrew Koji, Callina Liang,
Joe "Roman Reigns" Anoa'i, David Dastmalchian, Cody Rhodes,
Eric Andre, Andrew Schulz, Vidyut Jammwal, Orville Peck,
Don Lee, Curtis "50 Cent" Jackson, Jason Momoa, Olivier Richters,
Hirooki Goto, Mel Jrnson, Rayna Vallandingham, Alexander Volkanoski
1 GOOD TRIP
Can : Ngor Ah Deh Seung Lui Hung
Lit : My Dad Wants To Travel
d. Norris Wong Yee Lam, Wong Hoi
Nick Cheung Ka Fai, Chung Suet Ying,
Philip Keung Ho Man, Yoyo Mung Ka Wai,
Stanley Yau Si Chun, THAIMAY, Philip Ng Wan Lung
Rating : IIA
Length : 108 mins.
Opening September 17 2026
Opening September 25 2026 (SPECIAL SCREENING)
Opening September 30 2026 at the Pingyao International Film Festival
Opening October 15 2026
Trailer : https://youtu.be/m5vB-wu6RSY
[ HONG KONG ASIAN FILM FINANCING FORUM WORK-IN-PROGRESS PROJECT ]
Shan, an art assistant, juggles responsibilities on the film set and
at the hospital, where she cares for her father, Kueng, who has
cancer. During her time at the hospital, Shan is tasked by the crew
to collect a big bowl from the prop-studio. At her father's request,
they discreetly leave the hospital together, embarking on an
unexpected journey from the studio to Macau, and subsequently to
Okinawa, allowing Kueng to address his unfulfilled wishes. Following
his peaceful passing, Shan inherits not only memories but also a
lasting sense of courage, optimism, and imaginative spirit that
sustains her throughout life.
[ SCREENDAILY 2026 FILMART DAILIES ]
Starring Nick Cheung and Chung Suet Ying, this Hong Kong comedy drama
follows a film assistant who sneaks her dying father out of hospital
to fulfil his last wish for an impromptu trip to Japan. Mabel Cheung
serves as producer for Wong, winner of best new director at the Hong
Kong Film Awards for her 2019 debut My Prince Edward, and Wong Hoi,
who produced Wong's second feature The Lyricist Wannabe. Backed by
Hong Kong Film Development Council's Directors' Succession Scheme,
Good Trip is presented at the HKIFF Industry Project Market at
Filmart.
Yeung Wai Lun (left) and Chung Suet Ying (right) finally officially collaborate for the first time and feel that they have a lot of spark
Yeung Wai Lun (left) "kabedon" Chung Suet Ying (right) in the film. She looks forward to seeing the audience's reaction
Director Yeung Leung Chuen reveals the inspiration for WE ARE BORN GOOD comes from a "monkey steals peach" market closed circuit TV footage courtesy of mingpao.com
A Closed Circuit TV video of "Monkey Stealing Peach" at the
market inspired screenwriter Yeung Leung Chuen's first self-written and
directed feature film, WE ARE BONR GOOD (SIN NAM SHUN NUI). The film
stars lead actors Alan Yeung Wai Lun (Ah Lun) and Chung Suet Ying, a
team that is full of fresh and exciting chemistry. The new film
welcomed a promising sign before its release, receiving nine nominations
at the 63rd Golden Horse Awards. Both Yeung Wai Lun and Chung Suet Ying
would compete for Best Actor and Best Actress. Yeung Wai Lun broke new
ground by challenging relationships and virgin bed scene, admitting that
he feared the audience would find it hard to accept; Best Actress Chung
Suet Ying claimed she had no idol baggage, and accepted all the
swearing, kissing, and red paint dousing. In their film they
transformed the daily life and subtle repression of Hong Kong people
into a warm redemption filled with laughter and tears.
Rose to prominence for writing the film HONG KONG FAMILY (GOR
SI. GOR JIK) Yeung Leung Chuen won the higher education institution
category of the 8th First Feature Film Initiative with WE ARE BORN GOOD
and received a production funding of 5 million HKD from the Film
Development Fund. A 34-year-old former secondary school Chinese
teacher, Yeung Wai Lun was deeply grateful while facing a rigorous
arithmetic problem. "The initiative stipulates that no additional
investment is allowed, so 5 million is the maximum production cost." On
his first day writing the script, he aimed to live within his means.
"Of course, when filming, I want to shoot more sets, with more time and
settings. These constraints are common in productions under any budget,
and the most important thing is to know how to overcome them within the
framework."
The story was inspired by a dramatic Closed Circuit Television
(CCTV) footage online. In the video a woman was transporting a foam box
at a market and hit the foot of a man who was buying groceries. The two
started with a verbal dispute and then came to physical contact. Upset
at pushed down multiple times, the woman suddenly used her signature
move, "Monkey steals peaches" while shouting, "Squeeze your X." This
video not only made Yeung Leung Chuen laugh but also triggered his
creative instincts. "I really want to know what real life is like for
these two beyond that one minute on CCTV." He turned this curiosity
into a script, blending the daily troubles of those around him -- such
as delivery of the wrong meal, bus stops, and messages of sexual
harassment from strangers. "The script depicts the minor conflicts in
Hong Kong people's lives, ultimately aiming to bring out warmth and
heartwarming strength."
Speaking about casting, Yeung Leung Chuen admitted that as soon
as he finished writing the script he thought of Yeung Wai Lun. "He has
a kind of down-to-earth flavor and comedic vibe, with a bit of silliness
in his meanness, which fits the character perfectly." He revealed that
Yeung Wai Lun struggled and hesitated about filming romantic and
intimate scenes. "Ah Lun worries that the audience doesn't want to see
him act in romantic scenes, fearing his appearance might not be
convincing. I encourage him and help him showcase his unique charm."
Chung Suet Ying was chosen as the female lead because her personality
was down-to-earth. "During the audition she shared her genuine reaction
to life's injustices, and her straightforward personality matched the
character well. The script contains profanity, but Chung Suet Ying
performed it perfectly." As a new director, Yeung Leung Chuen admitted
that he was naturally nervous at first, but fortunately the two actors
were very easygoing and eager to communicate; making their collaboration
very enjoyable. The former teacher Yeung Leung Chuen said that while
teaching was stable, creating has been his 'calling' since childhood.
Right after entering the industry, he encountered a film winter and a
sluggish market and faced it with a steady and calm attitude. "The
climate is very hard to calculate. The only thing creators can do is
focus on what they believe in and do their best to make great works."
Chung Suet Ying and Yeung Wai Lun have previously co-starred in
ZERO TO HERO (MAMA DIK SUN KEI SIU JI), THE SPARRING PARTNER (JING YI
WUI LONG), and THE LYRICIST WANNABE (TIN CHI L), but they rarely
appeared together. They only had one scene together in TALES FROM THE
OCCULT (SUT HUNG HUNG GAN). This was their first official
collaboration, and they felt there was a lot of chemistry. Yeung Wai
Lun praised Chung Suet Ying as an outstanding actress who can infuse her
personal traits into every role. He said acting with her this time was
really fun. "Her performance exceeded my expectations. Bumping into
each other in the film was a pleasant surprise!"
Chung Suet Ying was 'kabebon' by Yeung Wai Lun in the film. She
joked, "It was really exciting. I want to go to the theater and see how
people would react, to see if everyone would be scared and if the
audience would scream." She said she does not carry the idol baggage,
and accepts all the scenes of swearing, kissing, and red paint dousing.
"I have a strong tolerance and treat setbacks as challenges. My first
kiss was given to (Zeno) Koo Ting Hin in TIME (SAT CHOOK GOR WONG FUN),
and filming another kiss scene this time I felt relaxed."
Yeung Wai Lun revealed that giving his bed scene debut was a
huge challenge. "A bed scene happening to me could almost be written
into Hong Kong film history. The Director truly has guts! I usually
play comedic or extreme villain roles, so I worried the audience might
find it hard to accept me for romantic scenes. Fortunately my costume
added masculinity, and with the trust of my co-stars the results were
decent; they also boosted my confidence to pursue girls."
WE ARE BORN GOOD portrays the various repressions city dwellers
face that are hard to resolve; yet strangers who meet by chance actually
understand each other, creating a kind of "in the same boat" romance.
Yeung Wai Lun admitted that when reading the script, he already felt the
new film could convey a positive message and was very meaningful; which
was also what attracted him to take the role. "The social atmosphere is
bad now, many people feel down and I hope to send warmth through this
work." He said that he resonated with many scenes in the film and even
brought back memories of his lowest points. "There was a time when I
was doing poorly at school, but thanks to Mama's support she didn't give
up on me. I'm grateful that life is full of love."
Chung Suet Ying laughed and said she deeply resonated with the
role, especially when calling the customer service hotline to share her
opinions. "I usually like to express my opinions, hoping to enhance
competitiveness for different services. I also suggested that big
companies strengthen employee training, often scaring customer service
staff. I realized they were just working and could only accept my
opinions. By the end I would politely cheer them on."
Myolie Wu (left) says that Chrissie Chau is gentle like water and successfully captures Stephen Fung's heart
Yeung Wai Lun (right) would compete for the Golden Horse Best Actor award. Stephen Fung is not only happy for him but also jokes about it often courtesy of on.cc
Stephen Fung (left) and Yeung Wai Lun (right) both say that they do not believe Angela Yuen's comments are for film publicity
Angela Yuen reveals that she has been sexually harassed, which has led to an extremely enormous response
Chrissie Chau (right) admires Myolie Wu (left)'s ample energy to be able to handle work, family and school courtesy of mingpao.com
The film AFTERPIECE (DAI SEI MOK) yesterday held a charity
screening at the Academy of Performing Arts, producer Derek Yee Tung
Sing, actors Stephen Fung Tak Lun, Myolie Wu Hung Yi, Chrissie Chau Sau
Na (Sister Na), Yeung Wai Lun, etc. attended.
Wu Hung Yi has worked with Yee Tung Sing on the mainland variety
show "EVERYBODY STAND BY 2", and this time he again invited her to
perform. Hung Yi joked that he probably asked her because her age was
appropriate for the role, but this time was a true nature performance as
she played the actress in the film. She also strove to improve. She
pointed out that the character was strong, and was a good partner once
with Fung Tak Lun but in the end he chose Chau Sau Na, who was gentler
than her, to be his wife. Was Sister Na playing the third party in the
film? She said, "When everyone started I discussed with the director
whether the role was a mistress, (do you resist playing a mistress?) I
must ask clearly about the relationship with the co-stars, and I must
also be more familiar with Hung Yi. We are good friends in the film,
otherwise she would get star treatment. We must understand clearly. I
don't mind playing a mistress, a relationship should be a problem
between the two sides, not just relying on one person to clarify. After
the film I am no longer that role."
Hung Yi said that she was also a value actor, her salary was not
expensive at all. With a good script and a good role, she would not
mind a salary reduction to perform. "I just enrolled in the Academy of
Performing Arts drama master's program, I also work on student films
for free, it's for art!" Sister Na also agreed, "It really depends on
the script and the role. If you get paid a lot of money but you can't
perform well, you would have a lot of pressure. That's even worse."
Hung Yi said that she would return to school this time to take a
three-year master's program and take classes three days a week, so her
workload will be reduced at her discretion and the performance in the
mainland will also accommodate the schedule. Would she "FIGHT BACK TO
SCHOOL" (truancy)? She said bitterly, "I already missed class 3 times,
for a quarter I can only miss 3. From now on I can't be truant, I
would have to wait for next year. However I did it for work, not for
fun." Hung Yi admitted that people in middle age really want to have
the opportunity to study, but she also hopes that she could become an
example of the three children in the family. Her husband was afraid
that she would become a monster, being too busy would be very crazy.
She in turn told her husband to rest assured. "I say I try not to be
crazy, I will be happy to go back to school, raise children and make
films!" Sister Na also immediately said that she admired Hung Yi.
"Outside of working hard she is also a Mommy. she has to be 24 hours
non stop. She is not to take care of just one child, but three. She
even goes to school to set an example, so I have to admire her energy, I
have always wanted that!" Would Sister Na want to have kids or study?
She smiled and said, "I want to study, before I can have a child I have
to find someone!" She said that she would let finding someone to fate
as she was not in a hurry.
Speaking of the film's lead actress Yuen Lai Lam not appearing
yesterday, co-star Yeung Wai Lun said that Yuen Lai Lam was overseas
and unable to attend due to another job. Regarding Yuen Lai Lam's
numerous public discussions about her experience of being sexually
harassed, Yeung Wai Lun felt that she handled it very well, clearly
expressed her meaning on the incident in an orderly fashion. No one
needed to continue on. Fung Tak Lun also paid attention to the relevant
events, in which Yuen Lai Lam has mentioned the matter of being
forcibly kissed by an elder. Fung Tak Lun thought that the person
involved would have to be asked about this. He has been in the industry
for many years and has also seen from the observation these situations,
they would be more serious with women. In this era it would not only
occur in the entertainment circle. Now when the film was being made,
the production highlight would also be filmed simultaneously to reduce
the chance of incidents. He also admitted that he has heard of some
of the hidden rules of the entertainment industry, but he has not
encountered them as they occurred less to men.
As the film is about to be released, Yuen Lai Lam broke out
that she has been sexually harassed and attracted the attention of the
outside world. Would she also promoting for the film? Both Fung Tak
Lun and Yeung Wai Lun believed that it would never be for the sake of
film publicity. Fung Tak Lun said, "She spoke out bravely about her
personal experience, which was a good thing." How would the director
deal with similar incidents? Fung Tak Lun said that this incident
brought out a message, the people who were harassed should not keep it
to themselves. They should be dealt with in real time. With so many
people on the set, they should speak out so everyone would get justice
together.
Stephen earlier said that he was "jealous" of Yeung Wai Lun for
his Golden Horse Award nomination for "Best Actor". He joked, "If he
would win the Golden Horse actor, he would have seniority over me."
Yee Tung Sing even humbly said that he was a Yeung Wai Lun fans, which
made Yeung Wai Lun feel flattered.
In addition, the Yeung Wai Lun and Chung Suet Ying starred WE
ARE BORN GOOD (SIN NAM SHUN NUI) was introduced as an "erotic
performance", which greatly upset Chung Suet Ying. Yeung Wai Lun said
that the film had nothing to do with pornography, felt that she
expressed very clearly; the person involved has also understood her
meaning and communicated, pointing out that he originally intended to
promote the film.
Nick Cheung says that he often asks his wife Esther Kwan whether she would like to return to acting
Chung Suet Ying attends an audience appreciation event courtesy of on.cc
Nick Cheung and Chung Suet Ying thank the audience for their film GOOD TRIP courtesy of mingpao.com
Nick Cheung Ka Fai, Chung Suet Ying, directors Norris Wong Yi
Lam and Wong Hoi yesterday went to the cinema for the film GOOD TRIP
(NGOR AH DEH SEUNG LUI HUNG)'s opening week audience appreciation
events. Ka Fai expected to visit more than 10 shows and was happy to
see that many viewers were teary eyed from watching, which proved that
the film was successful. As for yesterday afternoon the film has
collected HK$ 4.5 million at the box office, and the team put their
hands together to thank the audience. Ka Fai earlier has already
watched the film with his wife Esther Kwan Wing Ho, and each of them
used two pieces of tissue.
Yoyo Mung Ka Wai's alleged use of foul language at the premiere,
fortunately Ka Fai spoke up to make the save and was unanimously praised
online for his fast thinking. Ka Fai said, "We are a team, actually
when I got home I myself have practiced. It is indeed easy to say
wrong." Ka Fai said that Yoyo was very fun, but when he worked with her
before he did not notice. While working on THE TEACHER WITHOUT CHALK
(LAU MUN SI BIU) because they did not have many scenes together, he
did not know that her relaxed pronunciation. As for whether Ka Fai will
open a social account for the film character and interact online, he
joked that he would listen to the director's instructions. The role
just happened to also be called "Ah Keung."
Cheung Ka Fai also revealed that he paid attention to the online
reviews. "For now they have been quite positive, and most of my
performances in the past were criticized." Regarding his godfather
Bowie Wu Fung (Brother Sau) also attending the show, Ka Fai said, "I
took him to watch it. The most surprising is that he told me that he
has learned something, I do not know whether that is true or false. I
don't know if he has learned the directors' skills, or my type of
acting, but I believe what he says." Wu Fung said after watching the
800 out of 100 shots had Cheung Ka Fai in them. He joked, "So I told
him he was distracted while watching the movie! However don't think
that at his age he would be slow to react, he wouldn't be fake at all.
Everything he says is true." He said that Jacky Cheung Hok Yau
constantly watches movies, but he did not know whether he would go to
support the film at the cinema.
Ka Fai also said that a few days ago, he has brought his wife
Kwan Wing Ho to watch the film. He has already prepared tissue, but
finally each used only two. He also joked that due to the dark theater
environment, his wife after crying did not need to fix her make up.
"Actually I have been holding back, wiping my noise at the theater would
be very distracting. My wife has praised that the movie would make
people cry, and praised Ah Suet (Chung Suet Ying) for performing well.
She just didn't praise me." Cheung Ka Fai saw some viewers were still
wiping their noses and heard several viewers say that since their Papa
passed they were particularly moved. He said, "Everyone seems to be
trying to get warm around the fire. If after watching you have a little
release, believe that your soul has a little comfort, those are all
good things. Of course once out of the cinema you shouldn't be like
this. I once again thank everyone for being invested in the movie
while watching." Ka Fai said that his daughter has not yet watched it
in Hong Kong. Does his wife have the acting bug now? He said, "A lot
of people say I'm 'imprisoning' her, hurry up and let her out. Actually
every year and a half I would ask her, but she said that she no longer
had it."
A viewer asked about his image concept in the film. Cheung Ka
Fai first thanked the two directors for their support, saying that
he wanted to have different image for every film he made so he would be
able to differentiate between them. He did not want every movie to be
similar. When reaching a certain age in acting, he needed to change or
break through. Otherwise he could edit all the movie he has made over
the years into one. This time working with new style young directors,
he experienced different ideas and skills and wanted to continue to
support the.
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