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| ANSONBEAN and AK say that on their first day of work they are already working on their passion scene |
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| WE'RE NOTHING AT ALL depicts two people on the edge of society under all kinds of pressure and are homosexual as well |
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| AK (left) thanks the audience with his onscreen parents Ben Yuen and Amanda Lee and director Herman Yau |
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| AK (right) invites MIRROR group mate Keung To (left) to promote the new film courtesy of mingpao.com |
The Anson Kong Yip Sun (AK) and ANSONBEAN Chan Ngai Sun starred WE'RE NOTHING AT ALL (NGOR MOON BUT SI SUP MOR) is Herman Yau Lai To written, directed and financed. Driven by word of mouth, the film has received more than 3 million after 10 days in release. Two days ago about 140 performances on the day before yesterday earned more than 600,000, becoming the best single-day box office result since its release; Yau Lai To joined the film's "family of three" AK, Amanda Lee Wai Man and Ben Yuen Fu Wa at the theater to thank the audience. Some audience members praised AK for his sexy performance in underwear, and questioned that his role was very poor, but his underwear and sheets looked too clean. AK awkwardly laughed and put his hands together in response. Becoming category III film stars, AK and Chan Ngai Sun played homosexuals in the film and had their share of daring scenes that included passion scenes with only underwear.
There have been outside noises that claimed AK did not finish his words in the film and sounded like he was "reading from the script. Yau Lai To apologized to AK when he thanked the audience the day before, saying that he asked AK not to speak with "Le", "Lo", etc., and praising him for remembering that well during filming so he did not need to remind him. "Some people are lonely, don't know how to communicate with others, and speak just like Fai Jai (AK's character)".
AK and Chan Ngai Sun have had scenes together in the TV series SPARKS. This time they officially collaborated in WE'RE NOTHING AT ALL, AK said that he was glad that the co-star this time was Chan Ngai Sun. "Because of his enthusiasm and energy, I was indeed not so embarrassing when I dealt with some important or more intimate scenes in this film; he is a yes man, so many times we can act in more intimate scenes very quickly. The first scene on the first day of work was to shoot these scenes, so we shouted 'Come on!' and broke through the embarrassment and unfamiliarity. As soon as we arrived the director has forced us to mature." Chan Ngai Sun said that he has always admired AK, and his frankness and directness made the shoot very smooth. "He also let loose easily, when filming intimate scenes he was at my mercy."
Those who played their lovers were all opposite sex. This time facing daring scenes with the same sex co-star, they instead raved. AK said, "I think the biggest difference is that sometimes it's not so scary and embarrassing. We have talked about it after filming the intimate scene; if this scene is with the opposite sex, I would have been more nervous and scared because there might have been more concerns. When everyone are guys, there are actually fewer worries or embarrassments. Our most afraid was always the first performance, the result of filming wasn't good enough, couldn't meet the director's requirements and aesthetics, but we didn't be afraid of where you touch would upset the other person." Chan Ngai Sun revealed that the director took a lot of shots for this scene, and saw that the director's editing results were very smooth and just right. "Filming this kind of scene with the same sex is more frank and direct, and there are not so many embarrassing or mindful situations."
Dealing with the intimate scene of touching each other's sensitive spots, AK said that he did not consider too much and followed the director's instructions on everything. "Before filming, the director talked about what the general process was and where the camera would be. I think the director's preparation is really well done, he knows how to place the camera very clearly. Actually it doesn't need to be filmed many times to be completed. The cinematographer brother even praised us for performing with a lot of feeling and gave us a lot of confidence." Chan Ngai Sun said that he did not really touch the other party because they were all wearing athletic cups. AK said, "Even if he really touched it, I was fine. Everyone are men, and the limit has been set to as low as the ankles."
AK and Chan Ngai Sun both said that they did not worry too much about accepting a category III film. AK said, "On the day of filming the passion scene, we had to take off our clothes and put on a bathrobe during preparation. We even jokingly declared 'Yeah! We can become category III erotic stars.' Joking make ourselves less embarrassed and hopefully make the atmosphere of the scene more relaxed and tolerant to complete this matter. Actually everyone is really professional." Chan Ngai Sun said that after reading the script, he was very moved and felt that it was of great significance. So he has decided to put aside all the baggage and let go, but he missed a spot. "The scene of wearing only underwear did make me a little nervous. The costume was only a pair of white underwear, and even an triangular pair. Our way to deal with it was to wear this white underwear around the set, run around to familiarize ourselves with the environment, and after getting used to it we would not be embarrassed to face the camera." Kong Yip Sun laughed and pointed out that there were men and women on the set that day. The staff had it rough, because they did not know if everyone really wanted to see it. The two said that after this experience, they will not mind an even more daring challenge in the future if the script and the role required it. Even baring their rears would be no problem.
Would they worried that fans would not be able to accept it? AK thought, "I don't think so, but I really hope that the fans who couldn't accept it would be open their minds after watching this film. I would be very happy. I feel that in this day and age there is no alternative differentiation. I myself have many friends with this orientation, only you feel it's alternative. Actually it is already very common." He said that he did not define whether the character liked men or women, but wanted to find someone he loved and feel loved. This character of Chan Ngai Sun just happened to appear in front of him, so he would not define this film with alternative. Chan Ngai Sun was convinced that fans would be able to accept it, but advised underage fans not to sneak in, fearing that these fans might not be mature enough to receive the bold scenes in the film.
In the film the characters they played had to face different family problems, which made them deeply feel the importance of their real families even more. Chan Ngai Sun said, "When I was a child, I was more mischievous and my father was more serious; so he would hit and yell. I knew that the opposition to me was out of worry, but he still loved me. When I decided to participate in KING MAKER and gave up going to the UK, chose to return to Hong Kong to study at university, there were some arguments but I still thank my family for respecting my decision. In the end they allow me to take part in this competition, then they still silently supported me." AK said that reality was 180 degrees different from the role in the film. His relationship with his family has always been very good, and they have never objected to him doing anything. "Even when I didn't earn much as a dancer before, my family only asked me to be able to take care of myself. Not making a sound was already the greatest support. Looking back at the journey of growing up, I am already grateful for not getting into trouble. I thank my family for their unconditional support, as well as their love and tolerance all along."







































