[2026.10.22] CATHERINE CHAU AND BOBBY AUYEUNG HELP EACH OTHER WITH "AMNESIA"

Bobby Auyeung (left) arrives to support Catherine Chau (right), as they hope to collaborate again

Jayden Cheung (left) and Yeung Nga Man (right) are happy to work with different elders in the film
courtesy of mingpao.com

Actors Catherine Chau Ka Yee, Yeung Nga Man (THAIMAY) and Jadyen Cheung Dik Man attended the VIP celebrity screening of the movie BIRD OF PARADISE (MA YEUNG NIN WAH) the night before. Ka Yee received the support from a group of friends Bobby Auyeung Chun Wah, Carlos Chan Ka Lok, Raymond Wong Ho Yin, Mani Fok Man Hei, Kathy Yuen (Tong Yee) and Maverick Mak Chau Sing. That night Chau Ka Yee and Auyeung Chun Wah talked about each other about their past collaboration, but both had "amnesia" and needed to remind each other over the air. The scene was funny. Chau Ka Yee said that she is now the same company as Auyeung Chun Wah, and looks forward to working together again.

Chau Ka Yee said that he personally invited everyone to enjoy the film, especially Auyeung Chun Wah because he watched her grow up. Speaking of this, Auyeung Chun Wah, who was interviewed on the other side, asked Ka Yee loudly whether she had performed in "YIU MO CHEUNG SHA" before? Ka Yee responded from a distance, "It is the "FOR MO WONG SHA (THE DANCE OF PASSION), you only got the word 'SHA' right!" Ka Yee also mentioned that she has previously collaborated with Auyeung Chun Wah in a series, but this time it was her turn not to remember the title; so she asked for help over the air. This time Auyeung Chun Wah remembered and immediately replied, "MEN WITH NO SHADOWS (BUT CHOOK JI YUEK)!" Ka Yee admitted that because they have not collaborated with each other for a long time, but now everyone belongs to the Emperor Entertainment; so they very much hoped that the boss will start work on a movie so that the two have the opportunity to collaborate.

As for Yeung Nga Man, she played a classmate who studied pole dancing with Chau Ka Yee in BIRD OF PARADISE. She said that in order to practice pole dancing, she had bumps, bruises and blisters from the grind. Her flesh suffered, but after seeing the final production result she felt that everything was worth it.

Ka Yee revealed that she has never really watched the pole dance performance before the shoot. Initially she was even biased, thinking that most of the people who danced the pole dance performed at night spots and were too sexy. However, when she learned first-hand, she found that the dancers were very focused on their performance and encouraged each other. Earlier, preview screenings also had pole dancers in the audience. They were grateful to the director for shooting this film and making the public change their impression of the pole dance performance. They praised her and Yeung Nga Man for dancing well.

25-year-old Cheung Dik Man played Ka Yee's son in the film, and was also learning pole dancing. He said that at first he was a little nervous in front of the group of elders, but after coming in contact with Ka Yee, he felt that she was bold with also a little "guy like" personality. He even wondered if at her age could she could really have given birth to himself. Ka Yee heard and joked, "Thank you, I will give you lai see later!" Then she calculated and smiled, "It’s all OK, I could have given birth!"

Showing his support, Auyeung Chun Wah said that he has seen Chau Ka Yee play the girl with cleft lips in THE DANCE OF PASSION and was deeply impressed. Later the two collaborated on MEN WITH NO SHADOWS, and in the show Ka Yee had a crush on his role of an uncle. To this day, he still feels that Ka Yee is a lively girl who is forever young.

Auyeung Chun Wah has not made a Hong Kong drama for a long time, he admitted that he still wants to let himself settle. The last TVB series he made was already SHADOW OF JUSTICE. He said that his former home has not beckoned to him yet, but his door would always be opened. He revealed that he signed with the new company after the pandemic, and is currently focusing on mainland development. He participated in many variety shows, and recently worked on the series LIE HUNTER. He said that at present he is more enjoying a "family life". "I am already different from my 40s. I used to work a lot, I would like to go out with my wife to eat on my time off. During the pandemic I was used to eating at home, found that it was pretty good. In addition it was less greasy and healthier, I was already thin. People outside thought I had something wrong with me. Actually my appetite was still as big as ever, only my eating habits have changed. No one needs to worry." He also revealed that he often meets with friends in the circle, and will also go out to celebrate his birthday; as for the regular dinners, mostly they meet and chat at each person's house and have a few drinks. Friends his age have all gone "off duty" and hidden at home.

Auyeung Chun Wah also watched TVB dramas, and in the past he had made a guest appearance of COME HOME LOVE: LO AND BEHOLD. When asked as the audience what he thought of new version LIKE MOTHER, LIKE DAUGHTER, he said, "That's very difficult to say. For over a thousand episode everyone has been used to see this group of people, at the middle of the meal they have become accustomed to seeing them. They have already become engrained, at meal time they should see this group of people like one of the 'dishes'. Suddenly that has changed, it's not that it's not delicious. The kitchen has changed, and it takes awhile to get used to it and digest." He believed that the adjustment space of the situation drama was already very large and could be constantly modified according to the audience's reaction, so there would be room for progress slowly.

For the rumor that Jinny Ng Yuek Hei being "exiled" and kicked out of COME HOME LOVE: LIKE MOTHER, LIKE DAUGHTER, Auyeung Chun Wah said, "I don't know what happened, nor do I know how the audience feels about her. I can only say what I think. Honestly, Ng Yuek Hei is a pretty hard-working girl in my mind, and earlier her performance in FROM HONG KONG TO BEIJING was pretty good." He said that he has read some of the comments, saying that Ng Yuek Hei deliberately imitated Mandy Lam Suk Man and thought that was unfair to her. "The role needs to be played like this, just because you think they are similar it is not her fault. It has to be slowly corrected. Everyone please take it more time and be a little more lenient."

[2026.10.22] FOR THE WEEK ENDING SUNDAY, OCTOBER 18 2026

For the week ending Sunday, October 18 2026

10 SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM
    d. Steve Cox, Matthew Walker
    British Animation
    English Voices: Justin Fletcher, John Sparkes, Nina Sosanya

  9 OTHER MOMMY
    d. Rob Savage
    Jessica Chastain, Jay Duplass, Arabella Olivia Clark
      Dichen Lachman, Arian Moayed, Karen Allen

  8 PRIMETIME
    d. Lance Oppenheim
    Robert Pattinson, Merritt Wever, Skyler Gisondo, Phoebe Bridgers

  7 MASTERMIND
  Can : Jing Jin
  Lit : Detective War
    d. James Hung Ling Ching
    Louis Koo Tin Lok, Ci Sha, Simon Yam Tat Wa, Gardner Tse Kwan Ho,
      Amy Lo Wai Man, Ben Yuen Fu Wa, Alan Yeung Wai Lun,
      Eddie Cheung Siu Fai, , Jeffrey Ngai Chun Sun
  Rating : IIB
  Length : 90 mins.
  Opening October 1 2026 in the mainland
  Opening October 8 2026
  Trailer : https://youtu.be/k0pvuxEOYTA

[ HONG KONG MOVIE 6 ]
    A suspect, unsuccessfully pursued by an unknown killer, mysteriously vanished from the detention cell in H City. Baffling by the case, Agent MO received a bewildering message from his friend YANG, the fugitive was found dead in a locked records vault of the Investigation Bureau headquarter, just 10 kilometers away. How did he escape from the detention cell and slip into the headquarters' records vault, moving from one 'sealed room' to another?

    The murder bullet was later confirmed to be MO's so-called lucky bullet, rattling the City Government Intelligence Bureau. The suspect's death was bizarre, and Intelligence Bureau Commissioner BI was drawn into the vortex of the unsolved case. MO himself became the prime suspect, now hunted by both the underworld and the authorities. A mind-bending, tangled plot ensues. MO, YANG, and BI are manipulated by fate, forced to confront the a sensational and fiendishly difficult case!

  6 PUELLA MAGI MADOKA MAGICA THE MOVIE -WALPURGISNACHT RISING-
    d. Akiyuki Shinbo, Yukihiro Miyamoto
    Japanese Animation
  Rating : IIA
  Length : 120 mins.
  Opening August 2026 in Japan
  Opening October 8 2026

[2026.10.21] FOR THE WEEK STARTING SATURDAY, OCTOBER 17 2026

For the week starting Saturday, October 17 2026 (Week 42)

VIUTV CHILL CLUB CHART

  5 MY EVERYTHING
  Can : Ngor Dik Sor Yau
  Kaelyn

https://youtu.be/wxbKIhTywu8

  4 SEE YOU AT THE THEATER
  Can : Ket Cheung Gein
  Edmond Tong Chun Yip

https://youtu.be/Ur1Tn5G2kj4

  3 THAT'S HOW WE MOVE
  KALAI

https://youtu.be/C_vzsGbdo9U

  2 THE LIMITS OF GIVING UP
  Can : Fong Hei Dik Gai Han
  Hins Cheung King Hin

https://youtu.be/E5YSK6iflBI

  1 MICHAEL LEARNS TO ROCK
  Can : Seung Hau But Suen Sup Mor
  Michael C

https://youtu.be/5AbMNEAb5SQ

[2026.10.20] YEUNG WAI LUN IS AFRAID OF SCARING THE AUDIENCE WITH HIS BED SCENE DEBUT

Yeung Wai Lun (left) and Chung Suet Ying (right) finally officially collaborate for the first time and feel that they have a lot of spark

Yeung Wai Lun (left) "kabedon" Chung Suet Ying (right) in the film. She looks forward to seeing the audience's reaction

Director Yeung Leung Chuen reveals the inspiration for WE ARE BORN GOOD comes from a "monkey steals peach" market closed circuit TV footage
courtesy of mingpao.com

A Closed Circuit TV video of "Monkey Stealing Peach" at the market inspired screenwriter Yeung Leung Chuen's first self-written and directed feature film, WE ARE BONR GOOD (SIN NAM SHUN NUI). The film stars lead actors Alan Yeung Wai Lun (Ah Lun) and Chung Suet Ying, a team that is full of fresh and exciting chemistry. The new film welcomed a promising sign before its release, receiving nine nominations at the 63rd Golden Horse Awards. Both Yeung Wai Lun and Chung Suet Ying would compete for Best Actor and Best Actress. Yeung Wai Lun broke new ground by challenging relationships and virgin bed scene, admitting that he feared the audience would find it hard to accept; Best Actress Chung Suet Ying claimed she had no idol baggage, and accepted all the swearing, kissing, and red paint dousing. In their film they transformed the daily life and subtle repression of Hong Kong people into a warm redemption filled with laughter and tears.

Rose to prominence for writing the film HONG KONG FAMILY (GOR SI. GOR JIK) Yeung Leung Chuen won the higher education institution category of the 8th First Feature Film Initiative with WE ARE BORN GOOD and received a production funding of 5 million HKD from the Film Development Fund. A 34-year-old former secondary school Chinese teacher, Yeung Wai Lun was deeply grateful while facing a rigorous arithmetic problem. "The initiative stipulates that no additional investment is allowed, so 5 million is the maximum production cost." On his first day writing the script, he aimed to live within his means. "Of course, when filming, I want to shoot more sets, with more time and settings. These constraints are common in productions under any budget, and the most important thing is to know how to overcome them within the framework."

The story was inspired by a dramatic Closed Circuit Television (CCTV) footage online. In the video a woman was transporting a foam box at a market and hit the foot of a man who was buying groceries. The two started with a verbal dispute and then came to physical contact. Upset at pushed down multiple times, the woman suddenly used her signature move, "Monkey steals peaches" while shouting, "Squeeze your X." This video not only made Yeung Leung Chuen laugh but also triggered his creative instincts. "I really want to know what real life is like for these two beyond that one minute on CCTV." He turned this curiosity into a script, blending the daily troubles of those around him -- such as delivery of the wrong meal, bus stops, and messages of sexual harassment from strangers. "The script depicts the minor conflicts in Hong Kong people's lives, ultimately aiming to bring out warmth and heartwarming strength."

Speaking about casting, Yeung Leung Chuen admitted that as soon as he finished writing the script he thought of Yeung Wai Lun. "He has a kind of down-to-earth flavor and comedic vibe, with a bit of silliness in his meanness, which fits the character perfectly." He revealed that Yeung Wai Lun struggled and hesitated about filming romantic and intimate scenes. "Ah Lun worries that the audience doesn't want to see him act in romantic scenes, fearing his appearance might not be convincing. I encourage him and help him showcase his unique charm." Chung Suet Ying was chosen as the female lead because her personality was down-to-earth. "During the audition she shared her genuine reaction to life's injustices, and her straightforward personality matched the character well. The script contains profanity, but Chung Suet Ying performed it perfectly." As a new director, Yeung Leung Chuen admitted that he was naturally nervous at first, but fortunately the two actors were very easygoing and eager to communicate; making their collaboration very enjoyable. The former teacher Yeung Leung Chuen said that while teaching was stable, creating has been his 'calling' since childhood. Right after entering the industry, he encountered a film winter and a sluggish market and faced it with a steady and calm attitude. "The climate is very hard to calculate. The only thing creators can do is focus on what they believe in and do their best to make great works."

Chung Suet Ying and Yeung Wai Lun have previously co-starred in ZERO TO HERO (MAMA DIK SUN KEI SIU JI), THE SPARRING PARTNER (JING YI WUI LONG), and THE LYRICIST WANNABE (TIN CHI L), but they rarely appeared together. They only had one scene together in TALES FROM THE OCCULT (SUT HUNG HUNG GAN). This was their first official collaboration, and they felt there was a lot of chemistry. Yeung Wai Lun praised Chung Suet Ying as an outstanding actress who can infuse her personal traits into every role. He said acting with her this time was really fun. "Her performance exceeded my expectations. Bumping into each other in the film was a pleasant surprise!"

Chung Suet Ying was 'kabebon' by Yeung Wai Lun in the film. She joked, "It was really exciting. I want to go to the theater and see how people would react, to see if everyone would be scared and if the audience would scream." She said she does not carry the idol baggage, and accepts all the scenes of swearing, kissing, and red paint dousing. "I have a strong tolerance and treat setbacks as challenges. My first kiss was given to (Zeno) Koo Ting Hin in TIME (SAT CHOOK GOR WONG FUN), and filming another kiss scene this time I felt relaxed."

Yeung Wai Lun revealed that giving his bed scene debut was a huge challenge. "A bed scene happening to me could almost be written into Hong Kong film history. The Director truly has guts! I usually play comedic or extreme villain roles, so I worried the audience might find it hard to accept me for romantic scenes. Fortunately my costume added masculinity, and with the trust of my co-stars the results were decent; they also boosted my confidence to pursue girls."

WE ARE BORN GOOD portrays the various repressions city dwellers face that are hard to resolve; yet strangers who meet by chance actually understand each other, creating a kind of "in the same boat" romance. Yeung Wai Lun admitted that when reading the script, he already felt the new film could convey a positive message and was very meaningful; which was also what attracted him to take the role. "The social atmosphere is bad now, many people feel down and I hope to send warmth through this work." He said that he resonated with many scenes in the film and even brought back memories of his lowest points. "There was a time when I was doing poorly at school, but thanks to Mama's support she didn't give up on me. I'm grateful that life is full of love."

Chung Suet Ying laughed and said she deeply resonated with the role, especially when calling the customer service hotline to share her opinions. "I usually like to express my opinions, hoping to enhance competitiveness for different services. I also suggested that big companies strengthen employee training, often scaring customer service staff. I realized they were just working and could only accept my opinions. By the end I would politely cheer them on."

[2026.10.18] MYOLIE WU WANTS TO SET AN EXAMPLE FOR HER CHILDREN

Myolie Wu (left) says that Chrissie Chau is gentle like water and successfully captures Stephen Fung's heart

Yeung Wai Lun (right) would compete for the Golden Horse Best Actor award. Stephen Fung is not only happy for him but also jokes about it often
courtesy of on.cc

Stephen Fung (left) and Yeung Wai Lun (right) both say that they do not believe Angela Yuen's comments are for film publicity

Angela Yuen reveals that she has been sexually harassed, which has led to an extremely enormous response

Chrissie Chau (right) admires Myolie Wu (left)'s ample energy to be able to handle work, family and school
courtesy of mingpao.com

The film AFTERPIECE (DAI SEI MOK) yesterday held a charity screening at the Academy of Performing Arts, producer Derek Yee Tung Sing, actors Stephen Fung Tak Lun, Myolie Wu Hung Yi, Chrissie Chau Sau Na (Sister Na), Yeung Wai Lun, etc. attended.

Wu Hung Yi has worked with Yee Tung Sing on the mainland variety show "EVERYBODY STAND BY 2", and this time he again invited her to perform. Hung Yi joked that he probably asked her because her age was appropriate for the role, but this time was a true nature performance as she played the actress in the film. She also strove to improve. She pointed out that the character was strong, and was a good partner once with Fung Tak Lun but in the end he chose Chau Sau Na, who was gentler than her, to be his wife. Was Sister Na playing the third party in the film? She said, "When everyone started I discussed with the director whether the role was a mistress, (do you resist playing a mistress?) I must ask clearly about the relationship with the co-stars, and I must also be more familiar with Hung Yi. We are good friends in the film, otherwise she would get star treatment. We must understand clearly. I don't mind playing a mistress, a relationship should be a problem between the two sides, not just relying on one person to clarify. After the film I am no longer that role."

Hung Yi said that she was also a value actor, her salary was not expensive at all. With a good script and a good role, she would not mind a salary reduction to perform. "I just enrolled in the Academy of Performing Arts drama master's program, I also work on student films for free, it's for art!" Sister Na also agreed, "It really depends on the script and the role. If you get paid a lot of money but you can't perform well, you would have a lot of pressure. That's even worse." Hung Yi said that she would return to school this time to take a three-year master's program and take classes three days a week, so her workload will be reduced at her discretion and the performance in the mainland will also accommodate the schedule. Would she "FIGHT BACK TO SCHOOL" (truancy)? She said bitterly, "I already missed class 3 times, for a quarter I can only miss 3. From now on I can't be truant, I would have to wait for next year. However I did it for work, not for fun." Hung Yi admitted that people in middle age really want to have the opportunity to study, but she also hopes that she could become an example of the three children in the family. Her husband was afraid that she would become a monster, being too busy would be very crazy. She in turn told her husband to rest assured. "I say I try not to be crazy, I will be happy to go back to school, raise children and make films!" Sister Na also immediately said that she admired Hung Yi. "Outside of working hard she is also a Mommy. she has to be 24 hours non stop. She is not to take care of just one child, but three. She even goes to school to set an example, so I have to admire her energy, I have always wanted that!" Would Sister Na want to have kids or study? She smiled and said, "I want to study, before I can have a child I have to find someone!" She said that she would let finding someone to fate as she was not in a hurry.

Speaking of the film's lead actress Yuen Lai Lam not appearing yesterday, co-star Yeung Wai Lun said that Yuen Lai Lam was overseas and unable to attend due to another job. Regarding Yuen Lai Lam's numerous public discussions about her experience of being sexually harassed, Yeung Wai Lun felt that she handled it very well, clearly expressed her meaning on the incident in an orderly fashion. No one needed to continue on. Fung Tak Lun also paid attention to the relevant events, in which Yuen Lai Lam has mentioned the matter of being forcibly kissed by an elder. Fung Tak Lun thought that the person involved would have to be asked about this. He has been in the industry for many years and has also seen from the observation these situations, they would be more serious with women. In this era it would not only occur in the entertainment circle. Now when the film was being made, the production highlight would also be filmed simultaneously to reduce the chance of incidents. He also admitted that he has heard of some of the hidden rules of the entertainment industry, but he has not encountered them as they occurred less to men.

As the film is about to be released, Yuen Lai Lam broke out that she has been sexually harassed and attracted the attention of the outside world. Would she also promoting for the film? Both Fung Tak Lun and Yeung Wai Lun believed that it would never be for the sake of film publicity. Fung Tak Lun said, "She spoke out bravely about her personal experience, which was a good thing." How would the director deal with similar incidents? Fung Tak Lun said that this incident brought out a message, the people who were harassed should not keep it to themselves. They should be dealt with in real time. With so many people on the set, they should speak out so everyone would get justice together.

Stephen earlier said that he was "jealous" of Yeung Wai Lun for his Golden Horse Award nomination for "Best Actor". He joked, "If he would win the Golden Horse actor, he would have seniority over me." Yee Tung Sing even humbly said that he was a Yeung Wai Lun fans, which made Yeung Wai Lun feel flattered.

In addition, the Yeung Wai Lun and Chung Suet Ying starred WE ARE BORN GOOD (SIN NAM SHUN NUI) was introduced as an "erotic performance", which greatly upset Chung Suet Ying. Yeung Wai Lun said that the film had nothing to do with pornography, felt that she expressed very clearly; the person involved has also understood her meaning and communicated, pointing out that he originally intended to promote the film.

[2026.10.18] NICK CHEUNG DENIES "IMPRISONING" HIS WIFE ESTHER KWAN, WHO NO LONGER HAS THE ACTING BUG

Nick Cheung says that he often asks his wife Esther Kwan whether she would like to return to acting

Chung Suet Ying attends an audience appreciation event
courtesy of on.cc

Nick Cheung and Chung Suet Ying thank the audience for their film GOOD TRIP
courtesy of mingpao.com

Nick Cheung Ka Fai, Chung Suet Ying, directors Norris Wong Yi Lam and Wong Hoi yesterday went to the cinema for the film GOOD TRIP (NGOR AH DEH SEUNG LUI HUNG)'s opening week audience appreciation events. Ka Fai expected to visit more than 10 shows and was happy to see that many viewers were teary eyed from watching, which proved that the film was successful. As for yesterday afternoon the film has collected HK$ 4.5 million at the box office, and the team put their hands together to thank the audience. Ka Fai earlier has already watched the film with his wife Esther Kwan Wing Ho, and each of them used two pieces of tissue.

Yoyo Mung Ka Wai's alleged use of foul language at the premiere, fortunately Ka Fai spoke up to make the save and was unanimously praised online for his fast thinking. Ka Fai said, "We are a team, actually when I got home I myself have practiced. It is indeed easy to say wrong." Ka Fai said that Yoyo was very fun, but when he worked with her before he did not notice. While working on THE TEACHER WITHOUT CHALK (LAU MUN SI BIU) because they did not have many scenes together, he did not know that her relaxed pronunciation. As for whether Ka Fai will open a social account for the film character and interact online, he joked that he would listen to the director's instructions. The role just happened to also be called "Ah Keung."

Cheung Ka Fai also revealed that he paid attention to the online reviews. "For now they have been quite positive, and most of my performances in the past were criticized." Regarding his godfather Bowie Wu Fung (Brother Sau) also attending the show, Ka Fai said, "I took him to watch it. The most surprising is that he told me that he has learned something, I do not know whether that is true or false. I don't know if he has learned the directors' skills, or my type of acting, but I believe what he says." Wu Fung said after watching the 800 out of 100 shots had Cheung Ka Fai in them. He joked, "So I told him he was distracted while watching the movie! However don't think that at his age he would be slow to react, he wouldn't be fake at all. Everything he says is true." He said that Jacky Cheung Hok Yau constantly watches movies, but he did not know whether he would go to support the film at the cinema.

Ka Fai also said that a few days ago, he has brought his wife Kwan Wing Ho to watch the film. He has already prepared tissue, but finally each used only two. He also joked that due to the dark theater environment, his wife after crying did not need to fix her make up. "Actually I have been holding back, wiping my noise at the theater would be very distracting. My wife has praised that the movie would make people cry, and praised Ah Suet (Chung Suet Ying) for performing well. She just didn't praise me." Cheung Ka Fai saw some viewers were still wiping their noses and heard several viewers say that since their Papa passed they were particularly moved. He said, "Everyone seems to be trying to get warm around the fire. If after watching you have a little release, believe that your soul has a little comfort, those are all good things. Of course once out of the cinema you shouldn't be like this. I once again thank everyone for being invested in the movie while watching." Ka Fai said that his daughter has not yet watched it in Hong Kong. Does his wife have the acting bug now? He said, "A lot of people say I'm 'imprisoning' her, hurry up and let her out. Actually every year and a half I would ask her, but she said that she no longer had it."

A viewer asked about his image concept in the film. Cheung Ka Fai first thanked the two directors for their support, saying that he wanted to have different image for every film he made so he would be able to differentiate between them. He did not want every movie to be similar. When reaching a certain age in acting, he needed to change or break through. Otherwise he could edit all the movie he has made over the years into one. This time working with new style young directors, he experienced different ideas and skills and wanted to continue to support the.

[2026.10.18] LOLETTA LEE MAKES A SUCCESSFUL TRANSISTION, ACCEPTS AN AWARD IN TORONTO

Lin Minchen and Loletta Lee dress up for the award show

Loletta Lee accepts an award on the stage and Clifton Ko bears witness throughout the whole process

Lin Minchen plays tourist on her free time
courtesy of on.cc

A former winner of the Taiwan Golden Horse Award Best Actress, Loletta Lee Lai Chun recently came to Canada to promote the new film with the Malaysian goddess Lin Minchen and director Clifton Ko Chi Sum. She won the "Outstanding Performing Arts Achievement Award" at the Toronto Chinese Canadian Film Festival held yesterday! Lee Lai Chun thanked the audience for their support over the years and regarded this award as a milestone on the performing arts journey.

Lee Lai Chun (Sister Chun) has many classic works in the film industry, and won the Taiwan Golden Horse Award earlier with the film ORDINARY HEROES (CHIN YIN MAN YU). Recently she with Lin Minchen and director Clifton Ko Chi Sum promoted the new film MAD MAD MAD WORLD (FU GWAI BIK YUN LOI) in Canada. Yesterday she attended the award ceremony of the "Toronto Chinese Canadian Film Festival" and was awarded the "Outstanding Performing Arts Achievement Award" for her 40 years in the business. Her onscreen daughter Lin Minchen immediately congratulated her. Sister Chun, accompanied by her mentor Ko Chi Sum, accepted the award on the stage.

Sister Chun thanked her audience and fans for always supporting her, witnessed her countless changes in the industry, and thanked her daughter Annise Hui Yi Yung, Ko Chi Sum, etc for keeping her company along the way. "Whether I am in the mountains or the valleys you continue to encourage me, of course I would like to thank Ko Chi Sum for discovering and cultivating me. For many years, he has been a teacher and a friend. He has taught me a lot." The team went to a local restaurant that was full of the 80s and 90s style to celebrate after the event, Sister Chun said that the award was of great significance. "This time I play a funny mommy in MAD. In recent years my role have been relatively heavy. The award can be regarded as witnessing my transformation this time."

Ko Chi Sum stated that witnessing Sister Chun's award acceptance, he felt many sentiments all at once. "I watch her getting into the business, starting from the movie HAPPY GHOST (HOI SUM GWAI) I have watched her many years of ups and downs. Her eyes are very dramatic, and give her an advantage in making films. This time playing a funny mommy, she is considered to have made a successful transformation. Later there will be many more opportunities." As for Lin Minchen who carefully dressed to participate in the award ceremony, she recently not only promoted the new film, but also came out to visit and enjoy the food. Finding fun at work, she had a thoroughly good time!