Chung Suet Ying and Yeung Wai Lun promote their new film courtesy of on.cc
Golden Horse Awards Best Actress Chung Suet Ying, Alan Yeung
Wai Lun, Amy Echaluce (Yan Yuk Yu) and director Yeung Leung Chuen
yesterday promoted their film WE ARE BORN GOOD (SIN NAM SHUN NUI). The
film's cumulative box office has broken through HK$ 5 million, and Chung
Suet Ying said that it was only the beginning. "HK$ 10 million
shouldn't be difficult!" Yeung Wai Lun believed that the film was worth
going further. "10 million isn't enough! The best-selling films in
Hong Kong make basically more than 100 million." He revealed that some
of the action scenes in bed and other wonderful scenes have not yet been
unveiled. With good box office results he really hoped to release a
director's version. He joked, "Moving arms and legs are all action
too."
Speaking of the film's 9 nominations for this year's Taiwan
Golden Horse Awards, Yeung Wai Lun and Chung Suet Ying were nominated
for the "Best Actor" and "Best Actress" respectively. Have they
already thought about their award speeches? Chung Suet Ying said,
"A sincere thank you is enough!" Yeung Wai Lun joked that his Putonghua
was "even more extraordinary than ordinary", and would ask to give the
speech in Cantonese. "So people wouldn't understand what I mean."
Andy Lau says that with all the separate music awards now, singers' influence has been scattered. Thus he is interested in personally creating an award like the previous "Four Station Joint Presentation Award" and considers naming it the "Wah Awards"
Andy Lau gets close to greet fans and sign autographs to thank them courtesy of mingpao.com
Andy Lau Tak Wah (Wah Jai) yesterday visited Radio Hong Kong and
Commercial Radio station for his new song "I WAS YOUNG ONCE", and shared
that he would release an all Cantonese physical record "ABOUT LIFE",
five song of which he personally wrote the music and lyric. In addition
to the studio version, an orchestra of nearly 100 people orchestra was
also mobilized to record live version. Wah Jai was happy to write
Cantonese lyrics again, and said that he would consider organizing an
event to gather the entire Cantonese music industry, including a music
award that he jokingly named "Wah Awards".
Wah Jai revealed that this time he wrote five songs. "PAPA" is
about his late father, "DAYLILY" is about his mother, "FRAGRANT" and
"LITTLE ANGEL" are about his feeling for his wife and daughter; as for
I WAS YOUNG ONCE, a song about friends he has met in his life, it was
record at a concert hall and he was moved to tears four times. Wah Jai
revealed that he has already begun to write songs over a year ago, and
the music was completed quickly and the studio version was recorded very
early on. "When I just started, I very daringly ignored others and
wrote the songs myself. After finishing the suggestions were whether
they could be adjusted a little? After a part was adjusted, it's
changed to the most beautiful sounding part. So I can't say I wrote
the songs myself." Later the production team suggested why not try
using the live feeling, and Wah Jai thought he could try it. However he
recorded with stress. "Because of singing a new song and also facing
nearly 100 people in the band and behind-the-scenes personnel, I had a
little stress. So I sang sang 7 old songs first, then added two new
songs. I myself think the live version is very real, would be more
moving; for beautiful tone of course it would be the studio version."
Referring to having the concept earlier than Eason Chan Yik
Shun's live recording concert, Wah Jai humbly said that it probably
happened simultaneously, because everyone were using the same group of
music makers at the same time. He was moved to tears when he recorded
"I WAS YOUNG ONCE" at the concert hall, Wah Jai bluntly said that some
of the more than 100 people at the scene might have grown up with him.
When he sang, he saw that some were crying harder than him. "Because we
only have four opportunities for recording, including once for the
lighting rehearsal. In addition three other times were shot, but I
cried the first three times. Finally I chose to close my eyes and sing,
without looking at everyone." Wah Jai joked that he has considered
showing everyone his messed up versions. Which part of the song was the
most moving to him? He said, "When I got to the friends part, even when
I wasn't the one singing it; when I heard others sing it, I don't know
why the sorrow would come from within!"
Lau Tak Wah admitted that he has already forgotten when he
last released a Cantonese record but believed that it was over 10 years
ago. He felt that physical record release still had meaning. "Maybe
it's not longer as bright as it used to, able to sell several hundreds
of thousands of copies. Yet I truly hope people who like it would hold
the record and treasure it at home. Maybe now even the opportunity to
listen to CDs is few. I hope I would be able to lead the trend." This
time he was happy bout spending a lot of time to write the Cantonese
lyrics again, in the process he did some writing in hopes that everyone
would better understand why he created this way.
Wah Jai said that he has not released a record for many years,
and has not been to the radio stations on Broadcast Drive for a long
time to promote a song; just Commercial Radio alone he has not stepped
foot in for 8 years already. Yesterday over 100 fans filled the outside
of the radio station door, Wah Jai after finishing his interview also
went out to sign autographs and take photos with the fans. Wah Jai
said, "Suddenly I really have the feeling of having been young. Seeing
the fans holding the light boards, the studio and the bathrooms are
still very familiar, I feel pretty happy. Since the last time I came to
record a very short time seemed to have passed. Maybe I will return for
another interview when I am 80, and the feeling will still be just as
close." With this record release, would he also participate in the
music award shows and experience the atmosphere? Wah Jai smiled and
said, "No, if everyone wants, I will go; but it will be next year,
because most of my concerts would be in December and conflict with the
award show schedule. However I want the relationship between our award
shows will be a little stronger, I don't know what problems make the
award shows very independent. Maybe the singers are not the same
anymore, and therefore the influence of the singer may be scattered.
I hope the big record companies would do something. I remember that I
performed at the previous four station joint awards, and I hope this
scene could return." Wah Jai said that he has always wanted to organize
a Cantonese singers' event to bring together the entire music scene.
Could he possibly a music award? Wah Jai joked, "Make a 'Wah Award',
I can consider it. Then I will win too, at least I would win the Media
Award!"
Wah Jai would hold a concert series at the Hong Kong Coliseum in
December. Originally he has already "closed the gates" for rehearsal,
but for the new record publicity he would officially "close the gates"
after these busy few days. As for the Lunar New Year film he produced
that was based on a stage play, TIME TO GO HOME (GUAN YU NA JET GUAI WUI
DIK GOO SI), he was entrusted everything to the director Herman Yau Lai
To, and enable the actors to concentrate on the performance. Because
the production has been very rushed, everyone told him not to visit the
set and they would be fine with him just buying them "treats". However
he would probably guest star as well; and he was the happiest about
being a producer in name only, finally he was able to "fool" several
different investors to help lighten the load.
Speaking of his film ANGEL IN WHITE (BAK YI YIK HUNG JEH)
dropping off the release schedule several times in the mainland, Wah
Jai said that the film has been completed for some time. Several time
it was about to be released but did not. He felt that the performance
of the actors in the film was also very good, and hoped that everyone
would have the opportunity to see it. However if there are other
noises, the producer will also make consideration.
In addition, regarding the theft and the lack of whereabouts of
the ashes of his late friend Anita Mui Yim Fong, was he very
heartbroken? Wah Jai said, "Of course, I think everyone feel the same
way!"
As her number one fan, Myolie Wu's husband has nothing but praise for her performance courtesy of on.cc
The Stephen Fung Tak Lun, Angela Yuen Lai Lam, Myolie Wu Hung
Yi and Chrissie Chau Sau Na starred film AFTERPIECE (DAI SEI MOK) has
officially opened. The leads also posted for publicity. Wu Hung Yi
posted many film stills on social networks and talked about her
experience of playing the character "So Man Ling". "This role enables
me to really present my more than 20 years of experience in the industry
to the audience. In this role I can clearly see myself, and I can
fully integrate with her into one." Her husband uploaded a photo of the
couple at the premiere, praising his wife's striking appearance and
explosive performance in the film.
Lead actor Fung Tak Lun also received the public support of his
wife Shu Qi. Shu Qi posted on the social network the poster, and felt
bad for her husband's lack of Golden Horse Awards Best Actor nomination.
"Another gem the Golden Horse overlooked!" As for Yuen Lai Lam, she
shared many behind the scenes photos all at once, sparing no effort in
promoting the film.
Hedwig Tam and Emotion Cheung make an appearance to promote their new film courtesy of on.cc
Hedwig Tam and Emotion Cheung attend THE WATER WILL CARRY US special screening, sharing their production experience courtesy of mingpao.com
The Emotion Cheung Kam Ching and Hedwig Tam Sin Yin starred
film THE WATER WILL CARRY US (SHUN FUNG SHUN SHUI) held a special
screening yesterday. The film was also scheduled to premiere at the
Golden Horse Film Festival in Taiwan this year. The two said that the
most memorable was a scene in the water, because they had to be in the
water for over a hour. However the shoot took place in February when
the weather was very cold. Fortunately they were able to complete that
scene very smoothly. Cheung Kam Ching's character in the film lost his
son. During his performance he injected his emotions as a father. "I
have a daughter, sometimes I would think about what I would do at the
worst case scenario? How I would spend my days when I lose certain
people or things? Of course I don't have the experience in the film,
but after living for many years sometimes you would be forced to lose
some things in life. You would ask how would you live on? Simply
put you should live in the moment, treat yourself a little better.
Don't hurt others. Like the title THE WATER WILL CARRY US."
Cheung Kam Ching has learned how to let go of any pain,
admitting that divorce was one of them. "Just slowly leave it in your
heart for it to scatter, because you still have to live. If you don't
do that life would be very hard. You would keep harming yourself
without any benefit to those around you." He initially avoided talking
about the topic of divorce with Zhang Yan. When asked if he was unable
to let go so he was unwilling to mention it, he said, "I wouldn't be
unable to let go, what happened, happened." Regarding Zhang Yan signing
with a new manager and starting over, he did not respond. "No! I
don't know. (Would you support her or have you contacted er?) No
comment, she doesn't need my support."
Speaking of her daughter, Cheung Kam Ching pointed out that she
was still in school in New Zealand and would occasionally perform in
school drama. He would see if his daughter would have any interest in
entering he business. He praised her for her acting talent. "I believe
she has a little acting talent. Now I can't interfere anyway, she does
whatever she likes." Tam Sin Yin suggested that Cheung Kam Ching's
daughter could attend her father's acting classes. He instead joked
that he wanted to entrust Tam Sin Yim with teaching his daughter acting.
10 GO FOR BROKE 2
Can : Chung Sun 2
d. Marc Ma Yuke
Isabella Leong Lok Si, Jun Wen Junhui, Sammo Hung Kam Bo, Bai Ke,
Aruna, Wang Longzheng, Danny Chan Kwok Kuen
Rating : III
Length : 132 mins.
Opening October 3 2026
Opening November 7 2026
Trailer : https://youtu.be/w-WX_lY6XSg
[ CINEMA CITY ]
Set in a foreign land where the powerful hold absolute control and
treat human lives a disposable, a ruthless underground industry
operates in the shadows. Xila loses her child to this criminal
network. In her grief, she meets u Cheng, a young whose sister
suffered a similar fate. Bound by shared loss, the two strangers join
forces to uncover the truth behind the crimes and seek revenge against
the masterminds -- Zuoman and his son Zuoke. As their plan unfolds, a
conspiracy far darker than they imagined begins to surface. What
follows is not merely a tale o vengeance, but a story of two people
pushed to the brink, fighting for justice and, ultimately, for their
own rebirth.
9 EXO PLANET #6 - EXHORIZON [DOT] IN CINEMAS
EXO
Length : 210 mins.
Opening November 8 2026
[ HONG KONG MOVIE 6 ]
EXO, the Kings of K-POP, returns to prove their dominance once again
with the grand finale of their 6th solo concert tour, the [dot] encore
concert.
Feel the fiery energy and roaring cheers come alive through giant
screens and vivid sound, only in theaters.
8 BIRD OF PARADISE
Can : Ma Yeung Nin Wa
d. Joey Wu Chui Yi
Catherine Chau Ka Yee, Elaine Jin (Kam Yin Ling),
Peter Chan Charm Man, Yeung Nga Man, Jayden Cheung Dik Man
Rating : IIA
Length : 95 mins.
Opening May 10 2026 (Preview)
Opening June 13 2026 at the 28th Shanghai International Film Festival
Opening July 19 2026 at the 25th New York Asian Film Festival
Opening at the 9th Malaysia International Film Festival
Opening August 21 2026 (Preview)
Opening October 23 2026
Trailer : https://youtu.be/tUU9ZifYLC8
Trailer : https://youtu.be/l5zAT2MSREk
Site : https://www.nyaff.org/nyaff26/films/bird-of-paradise
[ 25TH NEW YORK ASIAN FILM FESTIVAL ]
Mrs. Yeung has spent years holding a Hong Kong household together,
managing a checked-out husband, a demanding teenage son, and the
thousand thankless tasks that keep a family running. Then she
secretly signs up for pole dancing, and something dangerous happens:
she starts having fun. What looks like a midlife lark turns
shockingly physical, closer to martial arts than play, demanding
strength and nerve she didn't know she had. As the lessons reawaken
a self she had quietly shelved, the accommodating wife-and-mother act
becomes harder to keep up. Joey Wu's first feature turns domestic
frustration into bright, nimble comedy, handing Catherine Chau a
gloriously physical role as a woman who decides that disappearing
politely is no longer on the schedule. Veteran Elaine Jin lends
major support.
[ 28TH SHANGHAI INTERNATIONAL FILM FESTIVAL ]
Yuen is a stereotypical housewife, her days dulled by endless
domestic routines. By chance, she stumbles into the dazzling world
of pole dancing, where she embarks on a secret journey - one she
keeps hidden from her conservative husband, Lam, and her son, Heng.
As colour slowly returns to her life, she forms an unexpected
friendship with her much young classmate. Meanwhile, Fung-mei, the
70-year-old grandmother with a heart of a young lady, falls prey to a
scam while searching for love on dating app. Forced to move into
Yuen's home, her arrival stirs up even more chaos to the already
strained family.
[ 7TH FIRST FEATURE FILM INITIATIVE HIGHER EDUCATION INSTITUTION GROUP ]
Eagerly wanting to have a last bloom of her youth, Mama Yeung
conceals her stubborn husband and rebellious son, and steps into the
new splendid world of pole dance. Yet, this secret has been
accidentally revealed, putting her into a dilemma between fulfilling
her family's needs and pursuing her dream...
7 SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM
d. Steve Cox, Matthew Walker
British Animation
English Voices: Justin Fletcher, John Sparkes, Nina Sosanya
6 DETECTIVE CONAN: THE COUNTERFEIT CASE OF ULTRA 30
d. Fumiharu Kamanaka
Japanese Animation
Rating : IIA
Length : 93 mins.
Opening September 25 2026 in Japan
Opening November 6 2026
Trailer : https://youtu.be/hkqpNxOirBw
[ NETFLIX JAPAN ]
A murder investigation leads Conan and the police to a counterfeiting
scheme involving the new 10,000 yen bill -- and a plot to destroy the
evidence.
5 CLAYFACE
d. James Watkins
Tom Rhys Harries, Naomi Ackie, David Dencik,
Max Minghella, Eddie Marsan, Nancy Carroll, Joshua James
4 LA BOLA NEGRA
d. Javier Calvo, Javier Ambrossi
Guitarricadelafuente, Miguel Bernardeau, Carlos Gonzalez,
Milo Quifes, Lola Duenas, Penelope Cruz, Glenn Close
3 WE ARE BORN GOOD
Can : Sin Nam Shun Nui
d. Yeung Leung Chuen
Alan Yeung Wai Lun, Chung Suet Ying,
Kearen Pang Sau Wai, Siuyea Lo Chun Yip,
Ng Wing Sze, Amy Yan Yuk Yu
Rating : IIB
Length : 96 mins.
Opening September 10 2026 at the 51st Toronto International Film
Festival
Opening October 8 2026 at the Broadway Cinematheque 30th
Opening October 29 2026
Site : https://www.tiff.net/films/we-are-born-good
Trailer : https://youtu.be/-3u2x1iw8Xo
[ BROADWAY CINEMATHEQUE 30 ]
A botched takeaway order sparks an unlikely battle of wills in WE ARE
BORN GOOD, the assured debut of Hong Kong filmmaker Yeung Leung
Chuen. Aspiring actress Zoey is already at breaking point, weighed
down by debt, disappointment and a city that seems determined to test
her patience. When a neighborhood restaurant refuses to remake her
incorrect order at closing time, a petty grievance quickly escalates.
As their confrontation spirals into chaos, hostility slowly gives way
to an unexpected connection. Inspired by viral footage of trivia
disputes erupting into violence, the film asks what drives ordinary
people to the brink -- and whether kindness can still prevail.
[ CINEMA CITY ]
A restaurant mishap led to a feud between Wing-kat and Zoey. Both,
whose lives were already challenging, engaged in a cycle of revenge
that escalated further. However, they did not anticipate that the
real harm would come from those closest to them. Initially
adversaries, Wing-kat and Zoey ultimately became the only companions
who truly understood each other.
[ THE 8TH FIRST FEATURE FILM INITIATIVE ]
A dining mishap caused a rift between Ji and Rui, leading to a cycle
of revenge. Their already troubled lives only came together to fall
apart.
2 GOOD TRIP
Can : Ngor Ah Deh Seung Lui Hung
Lit : My Dad Wants To Travel
d. Norris Wong Yee Lam, Wong Hoi
Nick Cheung Ka Fai, Chung Suet Ying,
Philip Keung Ho Man, Yoyo Mung Ka Wai,
Stanley Yau Si Chun, THAIMAY, Philip Ng Wan Lung
Rating : IIA
Length : 108 mins.
Opening September 17 2026
Opening September 25 2026 (SPECIAL SCREENING)
Opening September 30 2026 at the Pingyao International Film Festival
Opening October 15 2026
Trailer : https://youtu.be/m5vB-wu6RSY
[ HONG KONG ASIAN FILM FINANCING FORUM WORK-IN-PROGRESS PROJECT ]
Shan, an art assistant, juggles responsibilities on the film set and
at the hospital, where she cares for her father, Kueng, who has
cancer. During her time at the hospital, Shan is tasked by the crew
to collect a big bowl from the prop-studio. At her father's request,
they discreetly leave the hospital together, embarking on an
unexpected journey from the studio to Macau, and subsequently to
Okinawa, allowing Kueng to address his unfulfilled wishes. Following
his peaceful passing, Shan inherits not only memories but also a
lasting sense of courage, optimism, and imaginative spirit that
sustains her throughout life.
[ SCREENDAILY 2026 FILMART DAILIES ]
Starring Nick Cheung and Chung Suet Ying, this Hong Kong comedy drama
follows a film assistant who sneaks her dying father out of hospital
to fulfil his last wish for an impromptu trip to Japan. Mabel Cheung
serves as producer for Wong, winner of best new director at the Hong
Kong Film Awards for her 2019 debut My Prince Edward, and Wong Hoi,
who produced Wong's second feature The Lyricist Wannabe. Backed by
Hong Kong Film Development Council's Directors' Succession Scheme,
Good Trip is presented at the HKIFF Industry Project Market at
Filmart.
1 GODZILLA MINUS ZERO
d. Takashi Yamazaki
Ryunosuke Kamiki, Minami Hamabe, Min Tanaka, Hidetaka Yoshioka,
Yuki Yamada, Kuranosuke Saski, Sakura Ando, Mio Tanaka
Rating : IIA
Length : 135 mins.
Opening September 26 2026 at the New York Film Festival
Opening November 3 2026 in Japan
Opening November 5 2026
Trailer : https://youtu.be/CoMO04aJiro
[ CINEMA CITY ]
War reduced Japan to zero, and Godzilla plunged it into minus.
Two years have passed since then.
Through agonizing struggles, the country achieved recovery and finally
reclaimed its daily life. Now, a new pinnacle of despair attacks,
completely crushing all hope.
Director, Screenplay and VGX: Takashi Yamazaki. Moving beyond
Godzilla Minus One, the film that won the Academy Award for Best
Visual Effects and captivated the world. There is no third time.
Everything ends here.
Ekin Cheng has always been passionate about Pokemon games. This time the job is entertainment so he is extra happy
Guest at the event launch ceremony
A kid at heart, Ekin cannot help but trying to get Pikachu to play courtesy of on.cc
Ekin Cheng admits that he is a big kid and cannot quit playing video games courtesy of mingpao.com
Dior Cheng Yi Kin attended the opening ceremony of an event,
POKEMON'S 30 YEARS OF JOY AT FESTIVAL WALK, as a guest of honor the day
before yesterday. He joked that this time work was entertainment of
course he had to attend, and on behalf of friends he bought their
favorite products. He joked that suddenly he had many more "friends"
around him. "Some friends haven't called in awhile. 'Oh, how are you?
My son knows that you...if you have something special then give it to
me.' Lai Lok Yi is one of them." Due to overexcitement, like his
wife Yung Ka Wai he also quickly blurred out foul language, "I haven't
had any X free time."
Still playing "Pokemon Go", Ekin many years ago were caught
playing the game in Stanley with his wife Yoyo Mung Ka Wai by the
press. He was still curious how the environment was pitch black but
they were still caught. Often being accused of "only caring about
playing" since his career began, he explained, "In the entertainment
circle you must first be able to entertain yourself then entertain
others, don't forget entertainment at work. My purpose has never
changed, so everyone would invite me to attend the event. (Have
everyone blame you incorrectly?) Not really, playing seriously and
working seriously are the same. (Do you spend more time to play than
work?) So now you are beginning to regret it, just look at how happy I
am now. Regret is not too late."
Speaking of his wife Yoyo recently fully returned to the film
GOOD TRIP (NGOR AH DEH SEUNG LUI HUNG). Ekin greatly expressed his
support. "With a job then she should seriously do it. As long as she
is happy, I don't mind. Now the entertainment industry is more
complicated, she can be considered a little elder. Since others
invited her, if she could help then she should. We still have to save
opportunities for the new generation actors. Although I still haven't
seen the movie, I know it has Chung Suet Ying, (Nick) Cheung Ka Fai and
new directors. We need more of this kind of work together." Would Yoyo
spend more time on film? Ekin said that she would not need to do it
deliberately. "You know that my wife and my faction are very similar,
neither forget about entertainment at work (Do you mean she's lazy?) It
is not that, she is also working in real estate. She can't suddenly
stop as she has a team to answer to. It's like shooting a movie, if you
have a chance you have to make it, if the script catches your eyes and
you are able to entertain others then you make it."
Ekin revealed that he was interested in writing the script, "In
additional now with AI's help to create, I have already written two or
three scripts. I have promoted them, but unfortunately no one is
interested. Maybe because I like surreal subjects, others would have to
look at the whole thing with a childlike mind." He said that he would
not invest himself, because this was purely interest. He joked that
thinking a little would not suffer losses, and he did not feel that
the script would not be wasted even if it would not reach production.
Regarding Yoyo being called "happy fat", Ekin believed that fat was no
problem. The most important thing was being healthy. People would
always change and could not be the same forever.
Daniel Wu and Stephen Fung are funny even when cursing at each other, leaving the audience with belly laughes
The Directors' Guild is actually just meeting over a lunch box courtesy of on.cc
Stephen Fung Tak Lun for the promotion of his new film called in
many favors and invited a number of famous directors and Daniel Wu (Ng
Yin Cho) to help with a funny parody video that poked joke at Ng Yin
Cho's complaint about the production team lunch box. He made a big
deals with the directors, as the brothers took jabs at each other with
foul language. Although it was just a comedy skit, the directors were
all Best Actors possessed and gave their all.
Fung Tak Lun released a video called "Ng Yin Cho's Lunch Box" on
social media two nights ago, based on Ng Yin Cho's revelation that the
team rice boxes while working on TWILIGHT OF THE WARRIORS: THE FINAL
CHAPTER (GAU LUNG SING JAI JI JUNG JEUNG) were "particularly tough to
eat". He mobilized a number of directors to perform, and promoted the
Derek Yee Tung Sing produced, Fung Tak Lun starred film AFTERPIECE (DAI
SEI MOK).
At the beginning of the video, the directors held an emergency
meeting for Ng Yin Cho's complaint about the lunch box. Ng Yin Cho
asked his brother Fung Tak Lun to support him, and Fung Tak Lun agreed.
Then at Hong Kong Film Director's Guild office 6 major directors
appeared, in addition to Fung Tak Lun, Soi Cheang Pou Soi, Jack Ng Wai
Lun, Anselm Chan Mou Yin, Andy Lo (Law Yiu Fai) and Yee Tung Sing
attended. Yee Tung Sing hosted the meeting as the Hong Kong Film
Awards chair and said that Ng Yin Cho's rice box complaint has had
negative effect on the industry. He also asked TWILIGHT's director
Cheang Poi Sou, "The rice boxes were yours......" Cheang Pou Soi
immediately stated that neither the cast nor the crew thought the rice
boxes had problems. Chan Mou Yin also pointed out that TWILIGHT and
AFTERPIECE had the same rice box supplier. Yee Tung Sing ten asked
AFTERPIECE lead actor Fung Tak Lun about the rice boxes. Despite his
promise to support his good friend, Fung Tak Lun thought, "If I cross
these two, I definitely won't get a Best Actor nomination at the Hong
Kong Film Awards next year." So he could only answer, "No problem,
delicious." Yee Tung Sing proposed to severely punish Ng Yin Cho, "Kick
him out the Director's Guild and ban him from attend the Hong Kong Film
Awards for 15 years." Although Fung Tak Lun thought the penalty was
too heavy, he said, "Agree" and the mention passed.
Later Fung Tak Lun and Ng Yin Cho had a video call. Ng Yin Cho
was shocked to learned about the heavy punishment, and traded foul
language "pleasantries" with Fung Tak Lun. At the end a poster of
AFTERPIECE as shown. The video was fun and received a crazy amount of
likes from the internet.
In addition, Fung Tak Lun recently accepted an interview with
the Taiwanese media. He talked about his role as a middle-aged man
caught in the neck of the creative bottle, and through the stage found
the direction of life, then in reality has he experienced a midlife
crisis? He could not help but jokingly ask, "I am now 52 years old
now, haven't I already passed middle aged to old age?" Then he said
that he has not yet experienced it. He was still very curious about
new things in his mind.
![EXO PLANET #6 - EXHORIZON [DOT] IN CINEMAS MOVIE POSTER](https://assets.wmoov.com/poster/bdf153c9986e60069f31bd79d0e8d876_y.jpg)
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