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Starring in a Malaysian film for the first time, Fish Liew returns home like a triumphant hero, which means a great deal. She recently attended the Tokyo Film Festival with director Chong Keat Aun
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PAVANE FOR AN INFANT is about a Kuala Lumpur baby hatch that rescues countless infants courtesy of mingpao.com |
From Malaysia, Fish Liew Chi Yu starred in her first
Malaysian production PAVANE FOR AN INFANT. It was selected for the
"Asian Future" section of the 37th Tokyo International Film Festival,
and is expected to be released next year. PAVANE tells the story of a
24-hour abandoned baby protection hatch in Kuala Lumpur, where female
volunteers use their maternal love to become the "hand that rocks the
cradle" who save newborn babies, but have been hurt by gender
injustice in the past. Liew Chi Yu said that because she has been
working in Hong Kong for too long, she has adjusted her Cantonese to
no accent. While performing PAVANE she was asked to reshoot because
of that.
Liew Chi Yu and PAVANE FOR AN INFANT director Chong Keat Aun
were interviewed in Tokyo a few days ago; born and raised in Malaysia,
Fish before coming to develop in Hong Kong worked as an extra in
Malaysia. It was the first time she returned home for a production,
which was of great significance for her. "As a Malaysian, I have been
developing in Hong Kong for many years. Now I consider I have
achieved a little fame, I feel that I have a responsibility to let
Hong Kong audience know more about Malaysian culture, life and social
issues."
During the filming of PAVANE in Malaysia, the most memorable
for Fish was the very hot weather. One scene took 15 takes to shoot.
"That scene I had to complete in one take straight. Holding an
umbrella, a mobile phone and carrying a baby, I walk a long road, and
then deliver very long dialogue to the taxi driver. With the tight
schedule, at the time the sun was about to come up so I was panicking.
I had frequent bad takes."
Fish said that before the filming of PAVANE FOR AN INFANT
started, he was actually very worried. "I am too used to the language
and working mode in Hong Kong, especially Cantonese. Generally when
Malaysians speak Cantonese they would have some accents, but after
working in the past few years in Hong Kong, I have deliberately
adjusted it to no accent." She revealed that she has unconsciously
delivered the dialogue too Hong Kong and needed to reshoot.
Winning the Best Supporting Actress at the Hong Kong Film
Awards for ANITA, Fish has been making one movie after another in
recent years. How would she play each character well? She said that
there was no special method, and she felt very lucky as each work was
almost similar to her emotions at the time. "For example this time my
physical condition was very poor, my skin had an allergic reaction.
My mental state was already very confused, which just matched the
inner world of the character."
Fish said that in recent years she has mainly taken on
commercial films, and the new film is more artistic, "At first I was
distressed, not knowing if I could do it. I was deeply afraid that I
would not be able to interpret the confused and suppressed emotions of
the role, but after watching the movie, I finally can breathe a sigh
of relief as I felt that I didn't act too poorly; I have achieved the
feeling I wanted." Fish said that the director Chong Keat Aun did not
give her any instructions during the filming, allowing her to perform
freely. Looking back now she thought that the director might have
done that deliberately.
Nominated for 9 Golden Horse Awards last year for SNOW IN
MIDSUMMER, Chong Keat An admitted that he deliberately "tortured"
Fish. "It's because I wanted her to feel a little depressed when she
didn't speak, so I deliberately didn't give her guidance. I just
hoped that she could maintain that sense of confusion." When asked
about the subject clash of PAVANA FOR AN INFANT with the Japanese
director Hirokazu Kore-eda's Korean film BROKER, Chong Keat Aun said
that hs had seen BROKER, but he was not afraid of the subject clash.
He said that PAVANE has been in preparation for many years, and the
content of the two is different. PAVANE focuses on the women's
problems caused by the pandemic, and also adds many real stories from
Malaysia.