[2024.11.07] ANGUS YEUNG RECEIVES ENCOURAGEMENT FROM THE BOSS FOR HIS FIRST LEAD ROLE

Macy Ma, Angus Yeung and Catherine Chau all change their image in INEXTERNAL and become capable fighters
courtesy of singtao.com

The Emperor Motion Picture INEXTERNAL (LUI YING OI HUP)'s producer, director and screenwriter Steve Yuen Kim Fai led stars Angus Yeung Tin Yue, Macy Ma Sihui and Louis Cheung Kai Chung ia martial art fight film with a new subject and is full of rhythm. First time lead actor Yeung Tin Yue had a series of fierce fights in the film, changing from his nice guy image. He even showed up his six pack abdominal muscles on the strongest body that was eye-catching.

Yeung Tin Yue worked out a month before the start of the filming to build muscles and get into shape, and learned different martial arts and sports. He practicing street fitness every Tuesday, Thursday and Saturday, he admitted that learning street fitness and kicking were the most difficult. He must stretch in advance. In addition he had to perform a turn, if he misses on the pole he will fall to the ground. He must overcome psychological difficulties, which was tough to him with no kung fu foundation.

For his first time as the lead actor, Tin Yue was stressed and had difficulties with sleep. He tried to talk to the boss Dr. Albert Yeung Sau Sing and said that he was very worried about the box office, he did not know if the audience will like it. He received encouragement from the boss, who said that everyone has the first time.

Lead actress Ma Sihui also has a lot of kicking and martial arts stunts. Although she has a dancing foundation that kept her more limber, martial arts action requires flexibility and strength. She needs to work out before filming, but she has not come in contact with that beforehand. She once could not avoid Yeung Tin Yue's right hook when they were filming a fight and was hit. So she opened her month wide and applied ice for 5 minutes to reduce swelling. Playing the role of a member of the underground martial artists, Chau Ka Yee has many scenes with Yu On On. When she sees Sister On On had to cry very painfully in every scenes, would she want to make more comedies? Ka Yee thinks that in comedy the control of the rhythm is very important, but she calls on everyone to find her for comedy.